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Cynthia's Revel's
Ben Johnson
Oxford Text Archive, Oxford University Computing Services, 13 Banbury Road, Oxford OX2 6NN;
archive@ox.ac.uk
Availability:
Freely available for non-commercial use provided that this header is included in its entirety with any copy distributed
Act P
Scene 1
W
P.1 Pray you away; why Children? Gods son: what do you
W
P.1 meane?
W
P.1 Mary that you shall not speake the Prologue Sir.
W
P.1 Why? do you hope to speake it?
W
P.1 Aye, and I think I have most right to it; I am sure I studied it first.
W
P.1 That is all one, if the Author think I can speake it better.
W
P.1 I plead possession of the Cloake: Gentles, your suffrages for
W
P.1 Gods sake.
W
P.1 Why Children, are you not ashamed? come in there.
W
P.1 'Slid, I will play nothing in the Play: unless I speake it.
W
P.1 Why? Will you stand to most voyces of the Gentlemen? let that
W
P.1 decide it.
W
P.1 O no Sir Gallant; you presume to have the start of us there, and
W
P.1 that makes you offer so bountifully.
W
P.1 No, would I were whipt, if I had any such thought; trye it by
W
P.1 Lots either.
W
P.1 Faith, I dare tempt my Fortune, in a greater venter then this.
W
P.1 Well said resolute Iack: I am Content too; so we draw first
W
P.1 make the Cuts.
W
P.1 But will you not snatch my Cloake while I am stooping?
W
P.1 No, we scorne trechery.
W
P.1 Which Cut shall speake it?
W
P.1 The shortest.
W
P.1 Agreed: Draw. -- The shortest is come to the shortest.
W
P.1 Fortune was not altogether blind in this: Now Children, I hope I shall
W
P.1 go forward without your Enuy.
W
P.1 A spight of all mischeiuous lucke: I was once plucking at the
W
P.1 other.
W
P.1 Stay Iack: 'Slid I will do somewhat now afore I go in, though it
W
P.1 be nothing but to reuenge myself on the AUTHOR; since I speake not his
W
P.1 Prologue. I will go tell all the Argument of his Play aforehand, and so
W
P.1 stale his Inuention to the Auditory before it come foorth.
W
P.1 O do not so.
W
P.1 By no meanes.
W
P.1 First the Title of his Play is CYNTHIAS Reuels, as
W
P.1 any man (that hath hope to be sau'd by his Booke) can witnesse; the
W
P.1 Scene, GARGAPHIA: which I do vehemently suspect for some
W
P.1 Fustian Countrey; but let that vanish. Here is the Court of Cynthia;
W
P.1 whither he brings Cupid (trauailing on foote) resolu'd to turne Page:
W
P.1 By the way Cupid meetes with Mercury, (as that is a thing to be noted,
W
P.1 take any of our Play-bookes without a Cupid, or a Mercury in it,
W
P.1 and burne it for an Heretique in Poetry) -- Pray thee let me alone:
W
P.1 Mercurie, he, (in the nature of a Coniurer) rayses up Echo: who weepes
W
P.1 over her Loue, or Daffodill Narcissus, a little; sings; cursses the Spring
W
P.1 wherein the pretty foolish Gentleman melted himself away: and there is
W
P.1 an end of her -- Now, I am to informe you, that Cupid, and Mercury
W
P.1 do both become Pages: Cupid attends on Philautia, or Selfe-loue,
W
P.1 a Court-Lady: Mercury followes Hedon the voluptuous Courtier;
W
P.1 one that rankes himself even with Anaides, or the impudent Gallant,
W
P.1 (and, that is my part:) a Fellow that keepes Laughter the daughter of
W
P.1 Folly (a wenche in Boyes attire) to wayte on him -- These, in the
W
P.1 Court, meete with Amorphus, or the Deformed, a Trauailer that hath
W
P.1 drunke of the Fountaine, and there tels the wonders of the Water; they
W
P.1 presently dispatch away their Pages with Bottles to fetch of it, and themselves
W
P.1 go to visit the Ladyes: But I should have tolde you -- Looke,
W
P.1 these Emets put me out here: that with this Amorphus, there comes along
W
P.1 along a Citizens heire, Asotus, or the Prodigall, who (in Imitation of
W
P.1 the Traueller, that hath the Whetstone, following him) entertaines
W
P.1 the Begger, to be his Attendant. -- Now the Nymphes, who are
W
P.1 Mistresses, to these Gallants, are Philautia, Selfe-loue; Phantaste,
W
P.1 A light Wittinesse; Argurion, Money; and their Guardian, Mother Moria;
W
P.1 or Mistresse Folly. --
W
P.1 Pray thee no more.
W
P.1 There Cupid strikes Money in loue with the Prodigall;
W
P.1 makes her doate upon him, give him Iewels, Bracelets, Carkanets, &c%
W
P.1 all which (he most ingeniously) departs withall, to be made knowne to
W
P.1 the other Ladyes, and Gallants; and in the heate of this, encreases his
W
P.1 traine with the Foole to follow him, as well as the Begger -- By
W
P.1 this time your Begger begins to waite close, who is return'd with the
W
P.1 rest of his fellow Bottle-men -- There they all drinke saue Argurion,
W
P.1 who is falne into a sodaine Apoplexy --
W
P.1 Stop his mouth.
W
P.1 And then there is a retir'd Scholler there, you would not
W
P.1 wish a thing to be better contemn'd of a Society of Gallants, then it is:
W
P.1 and he applyes his seruice (good Gentleman) to the Lady Arete, or
W
P.1 Virtue, a poore Nymph of Cynthias traine, that is scarce able to buy
W
P.1 herself a Gowne, you shall see her play in a Blacke Roabe anone: A
W
P.1 creature, that (I assure you) is no lesse scorn'd, then himself. Where
W
P.1 am I now? at a stand?
W
P.1 Come, leaue at last yet.
W
P.1 O, the Night is come, (it was somewhat darke, me*thought)
W
P.1 and Cynthia intends to come foorth: That helpes it a little yet. All
W
P.1 the Courtiers must prouide for Reuels; they conclude upon a Masque,
W
P.1 the deuise of which, is -- what will you rauish me? that each of these
W
P.1 Vices, being to appeare before Cynthia, would seeme other then
W
P.1 indeed they are: and therefore assume the most neighbouring Virtues
W
P.1 as their masquing Habites -- I would crye a Rape but that you are
W
P.1 Children.
W
P.1 Come, we will have no more of this Anticipation; to give them
W
P.1 the Inuentory of their Cates aforehand, were the discipline of a Tauerne,
W
P.1 and not fitting this Presence.
W
P.1 Tut, this was but to shew us the happinesse of his Memory;
W
P.1 I thought at first he would have playde the Ignorant Critique
W
P.1 with euery*thing along as he had gone; I expected some such Deuise.
W
P.1 O you shall see me do that rarely; lend me thy Cloake.
W
P.1 Soft Sir, you will speake my Prologue in it?
W
P.1 No, would I might neuer stirre then.
W
P.1 Lend it him, lend it him:
W
P.1 Well, you have sworne?
W
P.1 I have. Now Sir; suppose I am one of your Gentile Auditors,
W
P.1 that am come in (hauing paide my money at the Doore with
W
P.1 much adoe) and here I take my place, and sit downe: I have my three
W
P.1 sorts of Tabacco, in my Pocket, my Light by me; and thus I Begin.
W
P.1 By Gods son, I wonder that any man is so madde, to come to see these
W
P.1 raskally Tits play here -- They do act like so many Wrens or Pismires --
W
P.1 not the fifth part of a good Face amongst them all -- And
W
P.1 then their Musique is abhominable -- able to stretch a mans Eares
W
P.1 worse, then ten -- Pillories, and their Ditties -- most lamentable
W
P.1 things, like the pittifull Fellowes that makes them -- Poets. By Gods
W
P.1 lid, if it were not for Tabaco -- I think -- the very stench of
W
P.1 them would poyson me, I should not dare to come in at their Gates --
W
P.1 A man were better visit fifteene Iayles -- or a dozen or two of
W
P.1 Hospitals -- then once aduenture to come neare them. How is it?
W
P.1 well?
W
P.1 Excellent; give me my Cloake.
W
P.1 Stay; you shall see me do another now: but a more sober, or
W
P.1 better-gather'd Gallant; that is (as it may be thought) some Friend,
W
P.1 or well-wisher to the House: And here I Enter.
W
P.1 What? upon the Stage too?
W
P.1 Yes: and I step foorth like one of the Children, and aske
W
P.1 you; Would you have Stoole Sir?
W
P.1 A Stoole Boy?
W
P.1 Aye Sir, if you will give me sixe Pence, I will fetch you one.
W
P.1 For what I pray thee? what shall I do with it?
W
P.1 O God Sir! will you betraye your Ignorance so much?
W
P.1 Why, throne yourself in state on the Stage, as other Gentlemen vse
W
P.1 Sir.
W
P.1 Away Wag: what wouldst thou make an Implement
W
P.1 of me? Slid the Boy takes me for a peice of Prospectiue (I holde my
W
P.1 life) or some silke Curtine, come to hang the Stage here: Sir Cracke
W
P.1 I am none of your fresh Pictures, that vse to beautifie the decay'd dead
W
P.1 Arras, in a publique Theater.
W
P.1 It is a signe Sir, you put not that Confidence in your good
W
P.1 Clothes, and your better Face, that a Gentleman should do Sir. But I
W
P.1 pray you Sir, let me be a Sutor to you, that you will quit our Stage then,
W
P.1 and take a Place, the Play is instantly to begin.
W
P.1 Most willingly my good wag: but I would speake with
W
P.1 your Author, where is he?
W
P.1 Not this way, I assure you Sir, we are not so officiously befriended
W
P.1 by him, as to have his Presence in the Tiring-house, to
W
P.1 prompt us aloud, stampe at the Booke-holder, sweare for our Properties,
W
P.1 cursse the poore Tire-man, rayle the Musique out of tune, and
W
P.1 sweat for euery veniall trespasse we commit, as some Author would, if
W
P.1 he had such fine Ingles as we: well, it is but our bard Fortune.
W
P.1 Nay Crack be not dishartned.
W
P.1 Not I Sir: but if you please to conferre with our Author by
W
P.1 Attorney, you may Sir: our proper self here stands for him.
W
P.1 Troth, I have no such serious affayre to negotiate with him;
W
P.1 but what may very safely be turn'd upon thy trust: It is in the generall
W
P.1 behalfe of this fayre Society here, that I am to speake; at least the
W
P.1 more iudicious part of it: which seemes much distasted with the the immodest
W
P.1 and obscene writing of many, in their Playes. Besides, they could
W
P.1 wish, your Poets would leaue to be Promooters of other mens Iests;
W
P.1 and to Way-lay all the stale Apophthegmes, or old Bookes, they can
W
P.1 heare of (in Print or otherwise) to farce their Scenes withall: That they
W
P.1 would not so penuriously gleane wit, from euery Landresse, or Hackney-man;
W
P.1 or deriue their best grace (with seruile Imitation) from
W
P.1 Common Stages, or Obseruation of the Company, they conuerse with;
W
P.1 as if their Inuention liu'd wholy upon another mans Trecher. Againe;
W
P.1 that feeding their friends with nothing of their owne, but what
W
P.1 they have twise, or thrise Cook'd) they should not wantonly give out, how
W
P.1 soone they had drest it; nor how many Coaches came to cary away the
W
P.1 broken-meate, besides Hobby-horses and Foote cloth Nags.
W
P.1 So Sir, this is all the Reformation you seeke?
W
P.1 It is: do not you think it necessary to be practisd, my little
W
P.1 wag?
W
P.1 Yes; where, there is any such ill-habited Custome receiu'd.
W
P.1 O, I had almost forgot it too: they say, the Vmbra*e, or Ghosts
W
P.1 of some three or foure Playes, departed a dozen yeares since, have been
W
P.1 seene walking on your Stage here; Take heed Boy, if your House be
W
P.1 haunted with such Hob-goblins, it will fright away all your Spectators
W
P.1 quickly.
W
P.1 Good Sir, But what will you say now, if a Poet (vntoucht with
W
P.1 any breath of this disease) finde Gods Tokens upon you, that are of
W
P.1 the Auditory? As some one Ciuet-Wit among you, that knowes no other
W
P.1 Learning, then the price of Satten and Veluets; nor other Perfection,
W
P.1 then the wearing of a Neate Sute; and yet will censure as desperately
W
P.1 as the most profest Critique in the house: presuming, his Cloathes,
W
P.1 should beare him out in it. Another (whom it hath pleas'd Nature
W
P.1 to furnish with more Beard, then Brayne) prunes his Mustaccio;
W
P.1 lispes; and (with some score of affected Oathes, sweares downe all that sit
W
P.1 about him; That the olde Hieronimo, (as it was first acted) was
W
P.1 the only best, and Iudiciously-pend Play, of Europe. A thirde
W
P.1 great-bellied Iugler talkes of twenty yeares since, and when Monsieur
W
P.1 was here; and would enforce all Witte to be of that fashion, because
W
P.1 his Doublet is still so. A fourth mis-calles all by the name of Fustian,
W
P.1 that his grounded Capacity cannot aspire to. A fifth only
W
P.1 shakes his Bottle Head, and out of his Corky Braine, squeezeth out
W
P.1 a pittifull-learned Face, and is silent.
W
P.1 By my faith, Iack, you have put me downe: I would I knew
W
P.1 how to get off with any indifferent Grace: Here take your Cloake, and
W
P.1 promise some satisfaction in your Prologue, or (I will be sworne) we have
W
P.1 mard all.
W
P.1 Tut feare not Sall: this will neuer distaste a true Sence. Be not
W
P.1 out, and good inough: I would thou hadst some Sugar Candyed, to
W
P.1 sweeten thy Mouth.
Scene 2
U
P.2 If gratious silence, sweete Attention,
U
P.2 Quick sight, and quicker apprehension,
U
P.2 (The lights of iudgments throne) shine any*wher;
U
P.2 Our doubtful author hopes, this is their Spha*ere
U
P.2 And therefore opens he himself to those,
U
P.2 To other weaker Beames, his labors close;
U
P.2 As loathe to prostitute their virgin straine,
U
P.2 To euery vulgar, and adulterate braine.
U
P.2 In this alone, his Muse her sweetnesse hath,
U
P.2 She shuns the print of any beaten path;
U
P.2 And prooues new wayes to come to learned eares:
U
P.2 Pied ignorance she neither loues, nor feares.
U
P.2 Nor hunts she after popular applause,
U
P.2 Or fomy praise, that drops from common Iawes;
U
P.2 The garland that she weares, their hands must twine,
U
P.2 Who can both censure, vnderstand, define
U
P.2 What Merrit is: Then cast those piercing rayes,
U
P.2 Round as a crowne, insteed of honor'd Bayes,
U
P.2 About his Poesie; which (he knowes) affoords,
U
P.2 Words above Action: matter, above wordes.
Act 1
Scene 1
K
1.1 Who goes there?
B
1.1 It is I, blinde Archer.
K
1.1 Who? Mercurie?
B
1.1 Aye.
K
1.1 Farewell.
B
1.1 Stay Cupid.
K
1.1 Not in your company Hermes, except
K
1.1 your hands were riueted at your backe.
B
1.1 Why so my little Rouer?
K
1.1 Because I know, you have not a finger, but is as long as
K
1.1 my quiuer, (cousin Mercurie,) when you please to entend it.
B
1.1 Whence deriue you this speach Boy?
K
1.1 O! it is your best policie to be Ignorant: you did neuer
K
1.1 steale Mars his sworde out of the sheath; you? nor Neptunes
K
1.1 Trident; nor Apolloes Bowe; no, not you? Alasse your palmes
K
1.1 (Iupiter knowes) they are as tender as the foote of a foundred
K
1.1 Nag, or a Ladies face new Mercuried; they will touch nothing.
B
1.1 Go to (Infant) you will be daring still.
K
1.1 Daring? O Ianus, what a word is there? why my light
K
1.1 fether-heeld Cousse, what are you, any more then my vncle
K
1.1 Ioues Pandar, a Lackey that runs on errands for him, and can
K
1.1 whisper a light message to a loose wenche with some round
K
1.1 volubility, waite at a table with a Trencher, and warble upon a
K
1.1 Crowde a little; One that sweepes the Gods drinking roome
K
1.1 euery morning, and sets the Cushions in order againe which
K
1.1 they threw one at anothers head ouernight? Here is the Catalogue
K
1.1 of all your Imploiments now. O no, I erre: you have the
K
1.1 Marshalling of all the Ghostes too, that passe the Stigian ferry;
K
1.1 and I suspect you for a share with the olde Sculler there, if the
K
1.1 truth were knowne; but let that scape: one other peculiar vertue
K
1.1 you possesse, in lifting or Lieger-du-maine (which few of the
K
1.1 house of Heauen have else besides) I must confesse; But (me*thinks)
K
1.1 that should not make you set such an extream distance
K
1.1 twixt yourself and others, that we should be said to ouer-dare
K
1.1 in speaking to your nimble Deity: So Hercules might
K
1.1 challenge a priority of us both, because he can throw the Barre
K
1.1 farther, or lift more Ioyndstooles at the armes end then we. If
K
1.1 this might carry it; then we (who have made the whole body
K
1.1 of Diuinity tremble at the twange of our Bowe, and inforste
K
1.1 Saturnius himself to lay by his curld front, Thunder, and three
K
1.1 forkd-fiers, and put on a Masking sute, too light for a reueller
K
1.1 of eighteene to be seene in --
B
1.1 How now my dancing Braggart in 7Decimo 7sexto?
B
1.1 charme your skipping toung, or I will --
K
1.1 What? vse the vertue of your Snakie Tipstaffe there
K
1.1 upon us?
B
1.1 No Boy, but the stretch vigor of mine arme about
B
1.1 your eares; you have forgot since I tooke your heeles up into
B
1.1 ayre, (on the very hower I was borne) in sight of all the
B
1.1 benche of Deities, when the siluer roofe of the Olympian
B
1.1 Pallace rung againe with the applause of the fact.
K
1.1 O no, I remember it freshly, and by a particular instance;
K
1.1 for my mother Venus (at the same time) but stoupt to
K
1.1 imbrace you, and (to speake by Metaphore) you borrowed a
K
1.1 Girdle of hers, as you did Ioues Scepter (while he was laughing)
K
1.1 and would have done his thunder too, but that, it was too
K
1.1 hote for your itching fingers.
K
1.1 Faith (to recouer thy good thoughts) I will discouer my
K
1.1 whole proiect. The Huntresse and queene of these groues,
K
1.1 Diana (in regarde of some black and enuious slaunders howerly
K
1.1 breathd against her for her deuine iustice on Acteon as she
K
1.1 pretends) hath here in the vale of Gargaphy proclaimd a solemne
K
1.1 reuels, which she will grace with the full and royall expence
K
1.1 of one of her cleerest moones: In which time it shall be lawfull
K
1.1 for all sorts of ingenuous persons, to visite her pallace, to court
K
1.1 her Nimphes, to exercise all varietie of generous and noble pastimes,
K
1.1 as well to intimate how farre she treads such malitious
K
1.1 imputations beneath her, as also to shew how cleere her beauties
K
1.1 are from the least wrinckle of Austerity, they may be
K
1.1 chardgd with.
B
1.1 But what is all this to Cupid?
K
1.1 Here do I meane to put off the title of a God, and take
K
1.1 the habite of a Page, in which disguise (during the Interim of
K
1.1 these reuels) I will get to follow some one of Dianas maides,
K
1.1 where (if my bowe holde, and my shafts flye but with halfe
K
1.1 the willingnesse and ayme they are directed) I doubt not but
K
1.1 I shall really redeeme the minutes I have lost by their so long
K
1.1 and ouer-nice proscription of my Deity, from their court.
B
1.1 Pursue it (diuine Cupid) it will be rare.
K
1.1 But will Hermes second me.
B
1.1 I am now to put in act an especiall designement from
B
1.1 my father Ioue, but that performd, I am for any fresh action
B
1.1 that offers itself.
K
1.1 Well then we part.
B
1.1 Farewell good wag,
B
1.1 Now to my charge, Eccho, faire Eccho speake,
B
1.1 It is Mercurie that calles thee; sorrowfull Nimphe:
B
1.1 Salute me with thy repercussiue voyce,
B
1.1 That I may know what cauerne of the earth,
B
1.1 Containes thy ayery spirit: how, or where,
B
1.1 I may direct my speech, that thou maist heare.
Scene 2
L
1.2 Here.
B
1.2 So nigh.
L
1.2 Aye.
B
1.2 Know (gentle soule) then, I am sent from Ioue,
B
1.2 Who (pittying the sad burthen of thy woes,
B
1.2 Still growing on thee, in thy want of wordes,
B
1.2 To vent thy passion for Narcissus death)
B
1.2 Commaunds that now (after three thousand yeares,
B
1.2 Which have been excercisde in Iunoes spight,)
B
1.2 Thou take a corporall figure and ascend,
B
1.2 Enricht with vocall, and articulate power,
B
1.2 Make haste sad Nymph: thrise doth my winged rod,
B
1.2 Strike the obsequious earth to give thee way,
B
1.2 Arise, and speake thy sorrowes, Eccho rise,
B
1.2 Here, by this Fountaine where thy loue did pine,
B
1.2 Whose memory liues fresh to vulgar fame,
B
1.2 Shrin'd in this yellow flower, that beares his name
L
1.2 His name reuiues and lifts me up from earth,
L
1.2 O which way shall I first conuert myself?
L
1.2 Or in what moode shall I assay to speake,
L
1.2 That (in a moment) I may be deliuered,
L
1.2 Of the prodigious griefe I go with*all?
L
1.2 See, see, the morning fount whose spring weepes yet,
L
1.2 The vntimely fate of that too-beauteous boy,
L
1.2 That Tropha*ee of self loue, and spoile of nature,
L
1.2 Who (now transformd into this drooping flower)
L
1.2 Hangs the repentant head, back, from the streame;
L
1.2 As if it wish'd: Would I had neuer lookt,
L
1.2 In such a flattering mirror. O Narcissus,
L
1.2 Thou that wast once (and yet art) my Narcissus,
L
1.2 Had Eccho but been priuate with thy thoughtes,
L
1.2 She would have dropt away herself in teares,
L
1.2 Till she had all turn'd water; that in her,
L
1.2 (As in a truer glasse) thou mightst have gaz'd,
L
1.2 And seene thy beauties by more kinde reflection:
L
1.2 But Self loue neuer yet could looke on trueth,
L
1.2 but with blear'd beames; Slieke flatterie and she:
L
1.2 Are twin-borne sisters, and so mixe their eyes,
L
1.2 As if you seuer one, the other dies.
L
1.2 Why did the Gods give thee a heauenly forme,
L
1.2 And earthy thoughtes to make thee proude of it?
L
1.2 Why do I aske? It is now the knowne disease
L
1.2 That beautie hath, to beare too deepe a sence,
L
1.2 Of her owne selfe-conceiued excellence.
L
1.2 O hadst thou knowne the worth of heauens rich guift,
L
1.2 Thou wouldst have turn'd it to a truer vse,
L
1.2 And not (with leane and couetous ignorance)
L
1.2 Pin'd in continuall eying that bright Gem,
L
1.2 The glance whereof to others had been more,
L
1.2 Then to thy famisht minde the wide worldes store;
L
1.2 So wretched is it to be meerely ritch:
L
1.2 Witnes thy youths deare sweetes, here spent vntasted;
L
1.2 Like a faire Taper, with his owne flame wasted.
B
1.2 Eccho be briefe, Saturnia is abroad;
B
1.2 And if she heare, she will storme at Ioues high will:
L
1.2 I will (kinde Mercury) be briefe as time,
L
1.2 Vouchsafe me I may do him these last Rites,
L
1.2 But kisse his flower, and sing some mourning straine:
L
1.2 Over his watry hearse.
B
1.2 Thou dost obtaine,
B
1.2 I were no sonne to Ioue shoulde I denie thee;
B
1.2 Beginne, and (more to grace thy cunning voyce)
B
1.2 The humourous ayre shall mixe her solemne tunes,
B
1.2 With thy sad wordes: strike Musique from the spheares,
B
1.2 And with your golden raptures swell our eares.
U
1.2 Slow, Slow Fresh fount, keepe time with my salt teares;
U
1.2 yet flower, yet, o faintly gentle springs;
U
1.2 Lift to the heauy part the Musique beares,
U
1.2 Woe weepes out her diuision when she sings;
U
1.2 Droope hearbes, and flowers,
U
1.2 fall griefe in showers;
U
1.2 Our beauties are not ours:
U
1.2 O I could still
U
1.2 (Like melting snow upon some craggy hill,)
U
1.2 drop, drop, drop, drop,
U
1.2 Since Natures pride, is now a wither'd Daffadill.
B
1.2 Now have you done?
L
1.2 Done presently (good Hermes) bide a little;
L
1.2 Suffer my thirsty eye to gaze a while,
L
1.2 But even to tast the place, and I am vanisht:
B
1.2 Forgo thy vse and libertie of tongue,
B
1.2 And thou maist dwell on earth, and sport thee there;
L
1.2 Here young Action fell, pursu'd, and torne
L
1.2 By Cynthias wrath (more egar then his houndes;)
L
1.2 And here, (ay me the place is fatall) see,
L
1.2 The weeping Niobe, translated hither
L
1.2 From Phrygian mountaines: and by Pho*ebe rear'd
L
1.2 As the proude Tropha*ee of her sharpe reuenge.
B
1.2 Nay but here.
L
1.2 But here, o here, the Fountaine of self loue:
L
1.2 In which Latona, and her carelesse Nimphes,
L
1.2 (Regardles of my sorrowes) bath themselves,
L
1.2 In hourely pleasures.
B
1.2 Stint thy babling tongue;
B
1.2 Fond Echo, thou prophanst the grace is done thee:
B
1.2 So idle worldlings (meerely made of voyce:)
B
1.2 Censure the powers above them. Come away,
B
1.2 Ioue calls thee hence, and his will brookes no stay.
L
1.2 O stay: I have but one poore thought to clothe,
L
1.2 In ayery garments and then (faith) I go:
L
1.2 Henceforth, thou treacherous, and murthering spring,
L
1.2 Be euer cald the Fountaine of self loue:
L
1.2 And with thy water let this curse remaine,
L
1.2 (As an inseperate plague) that who but tastes,
L
1.2 A droppe thereof, may (with the instant touch)
L
1.2 Grow dotingly enamour'd on themselves.
L
1.2 Now Hermes I have finish'd.
B
1.2 Then thy speach,
B
1.2 Must here forsake thee Echo, and thy voyce:
B
1.2 (As it was, wount) rebound but the last wordes, Fare well.
L
1.2 Well,
B
1.2 Now Cupid I am for you, and your mirth,
B
1.2 To make me light before I leaue the earth.
Scene 3
E
1.3 Deare sparke of beauty make not so fast away:
L
1.3 Away.
B
1.3 Stay let me obserue this portent yet.
E
1.3 I am neither your Minotaure, nor your Centaure, nor
E
1.3 your Satyre, nor your Hya*ena, nor your Babion, but your meere
E
1.3 traueler, beleeue me:
L
1.3 Leaue me.
B
1.3 I gest it should be some trauelling Motion pursu'de
B
1.3 Eccho so.
E
1.3 Know you from whom you flye? or whence
L
1.3 Hence.
E
1.3 This is somewhat above strange: a Nimphe of her
E
1.3 feature and lineament to be so preposterously rude; well; I
E
1.3 will but coole myself at yon' Spring and follow her.
B
1.3 Nay then I am familiar with the issue; I will leaue you
B
1.3 too.
E
1.3 I am a Rhinoceros, if I had thought a creature of her
E
1.3 Symmetry would have dard so improportionable and abrupte
E
1.3 a digression. Liberall and deuine Founte, suffer my prophane
E
1.3 hand to take of thy bounties. By the puritie of my taste, here
E
1.3 is most Ambrosiack water; I will sup of it againe. By thy fauor
E
1.3 swete Founte. See, the water (a more running, subtile, and humorous
E
1.3 Nimphe then she) permits me to touche, and handle
E
1.3 her: what should I inferre? If my behauiours had been of a
E
1.3 cheape, or customary garbe; my Accent, or phrase, vulgar; my
E
1.3 Garments trite; my Countenance illiterate; or vnpractizd in the
E
1.3 encounter of a beautifull and braue-attirde Peice, then I might
E
1.3 (with some change of coullor) have suspected my faculties: but
E
1.3 (knowing myself an Essence so sublimated, and refin'de by
E
1.3 Trauaile; of so studied, and well exercisde a gesture; so alone
E
1.3 in fashion, able to make the face of any States-man liuing, and
E
1.3 to speake the meere extraction of language; One that hath
E
1.3 now made the sixth returne upon venter; and was your first
E
1.3 that euer enricht his countrey with the true laws of the Duello;
E
1.3 whose Optiques have drunke the spirit of beauty, in some eight
E
1.3 score and eighteene Princes Courts, where I have resided,
E
1.3 and been there fortunate in the Amours of three hundred,
E
1.3 fortie, and fiue Ladies (all nobly discended) whose names I have
E
1.3 in Catalogue: to conclude; in all so happy, as even Admiration
E
1.3 herself doth seeme to fasten her kisses upon me: Certes I do
E
1.3 neither see, nor feele, nor taste, nor sauor, the least steame, or
E
1.3 fume of a reason, that should inuite this foolish fastidious
E
1.3 Nymph so peeuishly to abandon me: well let the memory of
E
1.3 her fleete into Ayre; my thoughts and I am for this other Element,
E
1.3 water.
Scene 4
D
1.4 What? the well-dieted Amorphus become a Water-drinker?
D
1.4 I see he meanes not to write verses then.
F
1.4 No Criticus? why?
D
1.4 Quia nulla placere diu; nec viuere carmina possunt, aqua scribuntur
D
1.4 aqua potoribus.
E
1.4 What say you to your Helicon?
D
1.4 O, the Muses, well! that is euer excepted.
E
1.4 Sir, your Muses have no such water I assure you;
E
1.4 your Nectar, or the Iuice of your Nepenthe is nothing to it; it is
E
1.4 above your Metheglin, beleeue it.
F
1.4 Metheglin! what is that Sir? may I be so Audacious
F
1.4 to demaund?
E
1.4 A kinde of Greeke Wine I have met with Sir in my
E
1.4 Trauailes: it is the same that Demosthenes vsually drunke, in the
E
1.4 composure of all his exquisite and Mellifluous Orations.
D
1.4 That is to be argued, (Amorphus) if we may credit
D
1.4 Lucian, who in his (Encomium Demosthenis) affirmes, he neuer
D
1.4 drunke but water in any of his Compositions.
E
1.4 Lucian is absurde, he knew nothing: I will beleeue
E
1.4 my owne Trauels, before all the Lucians of Europe; he doth feed
E
1.4 you with fictions, and leasings.
D
1.4 Indeed (I think) next a Traueller he does prettily
D
1.4 well.
E
1.4 I assure you it was Wine, I have tasted it, and from
E
1.4 the hand of an Italian Antiquary, who deriues it authentically
E
1.4 from the Duke of Ferrara's Bottles. How name you the
E
1.4 Gentleman you are in ranke with there, Sir?
D
1.4 It is Asotus, sonne of the late deceased Philargyrus
D
1.4 the Citizen.
E
1.4 Was his Father of any eminent place, or
E
1.4 meanes?
D
1.4 He was to have been Pra*etor next yeare.
E
1.4 Ha! A pretty formall young Gallant (in good
E
1.4 soothe) pitty, he is not more gentilely propagated. Hearke
E
1.4 you Criticus: you may say to him what I am, if you please;
E
1.4 though I affect not popularity, yet I would be lothe to stand
E
1.4 out to any, whom you shall voutchsafe to call friend.
D
1.4 Sir, I feare I may do wrong to your sufficiencies in
D
1.4 the reporting them, by forgetting or misplacing some*one;
D
1.4 yourself can best enforme him of yourself Sir, except you
D
1.4 had some Catalogue or Inuentory of your faculties readye
D
1.4 drawne, which you would request me to shew him for you,
D
1.4 and him to take notice of.
E
1.4 This Criticus is sower: I will think Sir.
D
1.4 Do so Sir. O heauen, that anything (in the likenesse
D
1.4 of man) should suffer these rackt extremities, for the vttring of
D
1.4 his Sophisticate good parts.
F
1.4 Criticus, I have a sute to you; but you must not denie
F
1.4 me: pray you make this Gentleman and I friends.
D
1.4 Friends! Why? is there any difference betweene you?
F
1.4 No: I meane acquaintance, to knowe one another.
F
1.4
D
1.4 O now I apprehend you; your phrase was without
D
1.4 me before.
F
1.4 In good faith he is a most excellent rare man I
F
1.4 warrant him.
D
1.4 Slight, they are mutually enamor'd by this time.
F
1.4 Will you sweete Criticus?
D
1.4 Yes, yes.
F
1.4 Nay, but when? you will deferre it now, and forget
F
1.4 it?
D
1.4 Why, is it a thing of such present necessity, that it requires
D
1.4 so violent a dispatch?
F
1.4 No, but (would I might neuer stir) he is a most rauishing
F
1.4 man; good Criticus you shall endeare me to you, in good
F
1.4 faithlaw.
D
1.4 Well your longing shall be satisfied Sir.
F
1.4 And withall, you may tell him what my father was, and
F
1.4 how well he left me, and that I am his heire.
D
1.4 Leaue it to me, I will forget none of your deare graces I
D
1.4 warrant you.
F
1.4 Nay I know you can better marshall these affaires then
F
1.4 I can. -- O Gods I will give all the world (if I had it) for aboundance
F
1.4 of such acquaintance.
D
1.4 What ridiculous circumstance might I deuise now, to
D
1.4 bestow this reciprocall brace of Cockscombes, one upon another?
D
1.4
E
1.4 Since I troad on this side of the Alpes, I was not so frozen
E
1.4 in my inuention; let me see; to accost him with some choise
E
1.4 remnant of Spanish, or Italian? that would indifferently expresse
E
1.4 my languages now, mary then, if he should fall out to be
E
1.4 Ignorant, it were both hard, and harshe. How else? step into
E
1.4 some discourse of State, and so make my induction? that were
E
1.4 above him too; and out of his element I feare Faine to have seen
E
1.4 him in Venice? or Padua? or some face neare his in simillitude?
E
1.4 it is too pointed, and open. No: it must be a more queint, and collaterall
E
1.4 deuise: As -- stay; to frame some encomiastique speach
E
1.4 upon this our Metropolis, or the wise Magistrates thereof, in
E
1.4 which pollitique number, it is ods but his father fild up a rome?
E
1.4 descend into a perticuler admiration of their Iustice; for the due
E
1.4 measuring of Coales, burning of Cans, and such like? As also
E
1.4 their religion, in pulling downe a superstitious Crosse, and aduancing
E
1.4 a Venus; or Priapus, in place of it? ha? it will do well. Or
E
1.4 to talke of some Hospitall, whose walls record his father a BENEFACTOR?
E
1.4 or of so many Buckets bestowd on his parish
E
1.4 church in his life time, with his name at length (for want of
E
1.4 armes) trickt upon them; Any of these? or to praise the cleanesse
E
1.4 of the streete wherein he dwelt, or the prouident painting of
E
1.4 his posts against he should have been Pretor, or (leauing his
E
1.4 parent) come to some speciall ornament about himself, as his
E
1.4 Rapier, or some other of his accountrements? I have it: Thankes
E
1.4 gracious Minerua.
F
1.4 Would I had but once spoke to him, and then --
E
1.4 It is a most curious and neatly-wrought band this
E
1.4 same, as I have seene Sir.
F
1.4 O God Sir.
E
1.4 You forgive the humor of mine eye in obseruing it?
F
1.4 O Lord Sir, there needs no such Apology I assure you.
D
1.4 I am anticipated: they will make a solemne deede of guift
D
1.4 of themselves you shall see.
E
1.4 Your Rose too does most grace-fully in troath.
F
1.4 It is the most gentile and receiu'd Weare now Sir.
E
1.4 Beleeue me Sir (I speake it not to humour you) I have
E
1.4 not seene a young gentleman (generally) put on his cloathes
E
1.4 with more iudgement.
F
1.4 O, it is your pleasure to say so, Sir.
E
1.4 No, as I am vertuous (being altogether vntrauel'd) it
E
1.4 strikes me into wonder.
F
1.4 I do purpose to trauell (Sir) at Spring.
E
1.4 I think I shall affect you sir, this last speach of yours
E
1.4 hath begun to make you deare to me.
F
1.4 O God Sir, I would there were any*thing in me Sir, that
F
1.4 might appeare worthy the least worthines of your woorth Sir,
F
1.4 I protest Sir, I should endeuour to shew it Sir, with more then
F
1.4 common regarde Sir.
D
1.4 O here is rare Motley, Sir.
E
1.4 Both your desert, and your endeuors are plentifull,
E
1.4 suspect them not: but your sweete disposition to trauaile (I
E
1.4 assure you) hath made you another My-self in mine eye, and
E
1.4 strooke me enamour'd on your beauties.
F
1.4 I would I were the fairest Lady of Fraunce for your
F
1.4 sake Sir, and yet I would trauaile too.
E
1.4 O you should digresse from yourself els: for (beleeue
E
1.4 it) your Trauaile is your only thing that rectifies, or (as the Italian
E
1.4 says) 8vi 8rendi 8pronto 8all' 8Attioni, makes you fit for Action.
F
1.4 I think it be great charge though Sir.
E
1.4 Charge? why it is nothing for a gentleman that goes
E
1.4 priuate, as yourself, or so; my Intelligence shall quitt my
E
1.4 charge at all times: Good faith, this Hat hath possest mine eye
E
1.4 exceedingly; it is so prettie, and fantastique; what? is it a Beauer.
F
1.4 Aye Sir. I will assure you it is a Beauer, it cost me six crownes
F
1.4 but this morning.
E
1.4 A very prettie fashion (beleeue me) and a most nouel
E
1.4 kinde of trimme: your Button is conceipted too.
F
1.4 Sir, it is all at your seruice.
E
1.4 O pardon me.
F
1.4 I beseech you Sir, if you please to weare it you shall
F
1.4 do me a most infinite grace.
D
1.4 Slight, will he be praisde out of his cloathes?
F
1.4 By heauen Sir, I do not offer it you after the Italian
F
1.4 manner; I would you should conceiue so of me.
E
1.4 Sir, I shall feare to appeare rude in denying your curtesies,
E
1.4 especially being inuited by so proper a distinction; may
E
1.4 I pray your name Sir.
F
1.4 My name is Asotus Sir.
E
1.4 I take your loue (gentle Asotus) but let me winne
E
1.4 you to receiue this in exchange. --
D
1.4 'Hart, they will change dublets anone.
E
1.4 And (from this time) esteeme yourself in the first
E
1.4 ranke of those few whom I professe to loue; what make you in
E
1.4 company of this scholler here? I will bring you knowne to
E
1.4 gallants as Anaides, Hedon the courtier, and others, whose societie
E
1.4 shall render you grac'de, and respected; this is a triuiall
E
1.4 fellow, too meane, too course for you to conuerse with.
F
1.4 Slid, this is not worth a crowne, and mine cost me six
F
1.4 but this morning.
D
1.4 I lookt when he would repent him, he has begunne to
D
1.4 be sad a good while.
E
1.4 Sir, shall I say to you for that Hat? be not so sad,
E
1.4 be not so sad; it is a Relique I could not so easily have departed
E
1.4 with, but as the Hierogliphick of my affection; you shall alter it
E
1.4 to what forme you please, it will take any block; I have varied
E
1.4 it myself to the three thousandth time, and not so few: It
E
1.4 hath these vertues beside; your head shall not ake under it; nor
E
1.4 your braine leaue you, without licence; It will preserue your
E
1.4 complexion to eternitie; for no beame of the Sunne (should
E
1.4 you weare it der Zona Torrida) hath force to approch it by
E
1.4 two ells. It is proofe against thunder, and enchantment: and
E
1.4 was given me by a great man (in Russia) as an especially-priz'd
E
1.4 present; and constantly affirm'd to be the hat that accompanied
E
1.4 the politique Vlisses, in his tedious, and ten yeares Trauailes.
F
1.4 By Ioue I will not depart withall, whosoeuer woulde
Scene 5
D
1.5 He will ranke even with you (ere it be long)
D
1.5 If you hold on your course: O vanity,
D
1.5 How are thy painted beauties doated on,
D
1.5 By light, and empty Ideots? how pursu'de
D
1.5 With open, and extended appetite?
D
1.5 How they do sweate, and run themselves from breath,
D
1.5 Raisd on their toes, to catch thy ayery formes,
D
1.5 Still turning giddy, till they reele like drunkards,
D
1.5 That buy the merry madnesse of one hower,
D
1.5 With the long irksomnesse of following time?
D
1.5 O how dispisde, and base a thing is Man,
D
1.5 If he not striue to erect his groueling thoughts
D
1.5 Above the straine of flesh? But how more cheape
D
1.5 When, even his best and vnderstanding part,
D
1.5 (The crowne, and strength of all his faculties)
D
1.5 Floates like a dead drown'd body, on the streame
D
1.5 Of vulgar humor, mixt with commonst dregs?
D
1.5 I suffer for their guilt now, and my Soule
D
1.5 (Like one that lookes on ill affected eyes)
D
1.5 Is hurt with meere Intention on their follies:
D
1.5 Why will I view them then? my Sence might aske me:
D
1.5 Or is it a Rarity, or some new Obiect,
D
1.5 That straines my strict obseruance to this point?
D
1.5 O would it were, therein I could afforde
D
1.5 My Spirit should draw a little neer to theirs,
D
1.5 To gaze on nouelties: so Vice were one.
D
1.5 Tut, she is stale, ranke, foule, and were it not
D
1.5 That those (that wooe her) greete her with lockt eyes
D
1.5 (In spight of all the Impostures, paintings, drugs,
D
1.5 Which her bawde Custome daubes her cheekes withall)
D
1.5 She would betray her loath'd and leprous face,
D
1.5 And fright the enamor'd dotards from themselves:
D
1.5 But such is the peruersnesse of our nature,
D
1.5 That if we once but fancy leuity,
D
1.5 (How antique and ridiculous so*ere
D
1.5 It sute with us) yet will our muffled thought
D
1.5 Choose rather not to see it, then auoyde it:
D
1.5 And if we can but banish our owne sence,
D
1.5 We acte our Mimick tricks with that free licence,
D
1.5 That lust, that pleasure, that security;
D
1.5 As if we practiz'd in a Past-boord case,
D
1.5 And no*one saw the Motion, but the Motion.
D
1.5 Well, check thy passion, least it grow too lowde:
D
1.5 While fooles are pittied, they wax fat, and prowde.
Act 2
Scene 1
K
2.1 Why this was most vnexpectedly followed (my deuine
K
2.1 delicate Mercury) by the Beard of Ioue, thou art a pretious
K
2.1 Deity.
B
2.1 Nay Cupid leaue to speake improperly; since we are
B
2.1 turn'd cracks, let us study to be like cracks: practise their language,
B
2.1 and behauiours, and not with a dead Imitation. Acte
B
2.1 freely, carelesly, and capricciously, as if our veines ranne with
B
2.1 Quick-siluer, and not vtter a phrase, but what shall come foorth
B
2.1 steept in the very brine of conceipt, and sparkle like salt in fire.
K
2.1 That is not euery*ones happinesse (Hermes) though you
K
2.1 can presume upon the easinesse and dexterity of your wit, you
K
2.1 shall give me leaue to be a little Iealous of mine; and not desperately
K
2.1 to hazard it after your capring humor.
B
2.1 Nay then Cupid, I think we must have you hoodwinckt
B
2.1 againe, for you are growne too prouident, since your
B
2.1 eyes were at liberty.
K
2.1 Not so (Mercury) I am still blinde Cupid to thee:
B
2.1 And what to the Lady Nimph you serue?
K
2.1 Troath Page, Boy, and Sirha: these are all my titles.
B
2.1 Then thou hast not altered thy name with thy disguise.
K
2.1 O No, that had been Supererogation, you shall neuer heare
K
2.1 your Courtier call but by one of these three.
B
2.1 Faith then both our Fortunes are the same.
K
2.1 Why? what parcell of man hast thou lighted on for
K
2.1 a Maister?
B
2.1 Such a one (as before I begin to decipher him) I dare
B
2.1 not affirme him to be any*thing else then a Courtier. So much
B
2.1 he is, during this open time of Reuels, and would be longer, but
B
2.1 that his meanes are to leaue him shortly after: his name is Hedon,
B
2.1 a gallant wholy consecrated to his pleasures. --
K
2.1 Hedon? he vses much to my Ladies chamber, I think.
B
2.1 How is she cal'd, and then I can shew thee?
K
2.1 Madame Philautia.
B
2.1 O Aye, he affects her very particulerly indeed. These are
B
2.1 his graces: he doth (besides me) keepe a Barbar, and a Monkey:
B
2.1 He has a ritch wrought Waste-coate to intertaine his visitants
B
2.1 in, with a Cap almost sutable: His Curtaines and Bedding are
B
2.1 thought to be his owne; his bathing Tub is not suspected. He
B
2.1 loues to have a Fencer, a Pedant, and a Musitian seene in his
B
2.1 lodging a*mornings.
K
2.1 And not a Poet?
B
2.1 Fye no: himself is a Rimer, and that is a thought better
B
2.1 then a Poet: he is not lightly within to his Mercer, no,
B
2.1 though he come when he takes Phisique, which is commonly
B
2.1 after his play. He beates a Tayler very well, but a Stocking-seller
B
2.1 admirably; and so consequently any*one he owes money
B
2.1 to, that dares not resist him. He neuer makes generall inuitement,
B
2.1 but against the publishing of a new Sute, mary then, you
B
2.1 shall have more drawne to his lodging, then come to the launching
B
2.1 of some three ships; especially if he be furnishd with
B
2.1 supplies for the retiring of his olde Ward-robe from pawne;
B
2.1 if not, he does hire a stock of Apparell, and some forty or fiftie
B
2.1 pound in Gould for that forenoone to shew: He is thought
B
2.1 a very necessary Perfume for the Presence, and for that only
B
2.1 cause welcome thither: six Millaners shops affoorde you not
B
2.1 the like sent. He courts Ladies with how many great Horse he
B
2.1 hath rid that morning, or how oft he has done the whole, or
B
2.1 the halfe Pommado in a seuen-night before; and sometime
B
2.1 venters so far upon the vertue of his Pomander, that he dares
B
2.1 tell them, how many shirts he has sweat at Tennis that weeke,
B
2.1 but wiselye conceales so many dozen of Balls he is on the
B
2.1 score. Here he comes that is all this.
Scene 2
G
2.2 Boy.
B
2.2 Sir.
G
2.2 Are any of the Ladies in the Presence?
B
2.2 None yet Sir.
G
2.2 Give me some Gold, More.
H
2.2 Is that thy Boy Hedon?
G
2.2 Aye, what thinkst thou of him?
H
2.2 Shart, I would gelde him; I warrant he has the Philosophers stone.
G
2.2 Well said my good Melancholy diuell: Sirah, I have
G
2.2 deuisde one or two of the pretiest Oathes (this morning in my
G
2.2 bed) as euer thou heardst, to protest withall in the Presence.
H
2.2 Pray thee let us hear them.
G
2.2 Soft thou wilt vse them afore me.
H
2.2 No (damne me then) I have more oathes then I know
H
2.2 how to vtter, by this ayre.
G
2.2 Faith one is; By the tip of your eare, Sweete Lady, Is it
G
2.2 not pretty, and Gentile?
H
2.2 Yes for the person it is applyed to, a Lady. It should
H
2.2 be light, and --
G
2.2 Nay the other is better, exceeds it much: The Inuention
G
2.2 is farder set too; By the white valley that lyes betweene the
G
2.2 Alpine hills of your bosome, I protest -- &c%
H
2.2 Well, you traueld for that Hedon.
B
2.2 Aye, in a Map, where his eyes were but blind guides to
B
2.2 his vnderstanding it seemes.
G
2.2 And then I have a Salutation will nick all; by this Caper: ho!
H
2.2 How is that?
G
2.2 You know I cal Madam Philautia, my Honor, and she cals me
G
2.2 her Ambition. Now (when I meet her in the Presence anon) I will
G
2.2 come to her, and say, Sweete Honor, I have hitherto contented my
G
2.2 Sence with the Lillies of your hand; but now I will taste the Roses of
G
2.2 your lip; and (withall) kisse her: to which she cannot but blushingly
G
2.2 answeare: Nay now you are too Ambitious. And then
G
2.2 do I reply; I cannot be too Ambitious of Honour, Sweete Lady.
G
2.2 Will it not be good? ha? ha?
H
2.2 O Assure your soule.
G
2.2 By heauen I think it will be excellent, and a very politique
G
2.2 atchiuement of a kisse.
H
2.2 I have thought upon one for Moria of a suddaine too
H
2.2 if it take.
G
2.2 What is it, my deare mischiefe?
H
2.2 Mary, I will come to her, (and she alwayes weares a
H
2.2 Muffe if you be remembred) and I will tell her: Madame your
H
2.2 whole self cannot but be pefectly wise: for your hands have witte
H
2.2 enough to keepe themselves warme.
G
2.2 Now (before Ioue) admirable: looke, thy Page takes it
G
2.2 too, by Pho*ebus, my sweete facetious Rascall, I could eate Water-gruell
G
2.2 with thee a month, for this Iest, O my deare Rogue.
H
2.2 O (by Hercules) it is your only dish, above all your
H
2.2 Potatos, or Oyster-pyes in the world.
G
2.2 I have ruminated upon a most rare Wish too, and the
G
2.2 Prophecy to it, but I will have some friend to be the Prophet; As
G
2.2 thus: I do wish myself one of my Mistris Ciopino's. Another
G
2.2 demaunds: Why would he be one of his Mistris Ciopinos? A third
G
2.2 answeres, Because he would make her higher. A fourth shall say,
G
2.2 That will make her proud. And a fifth shall conclude: Then do I
G
2.2 prophesie, Pride will have a fall: and he shall give it her.
H
2.2 I will be your Prophet. By gods son, it will be most exquisite,
H
2.2 thou art a fine Inuentious Rogue, Sirah.
G
2.2 Nay and I have Posies for Rings too, and Riddles, that
G
2.2 they dreame not of.
H
2.2 Tut they will do that, when they come to sleep on them time
H
2.2 enough; but were thy deuises neuer in the Presence yet Hedon?
G
2.2 O no, I disdaine that.
H
2.2 It were good we went afore then, and, brought them acquainted
H
2.2 with the roome where they shall act, least the strangenes of
H
2.2 it put them out of countenance, when they should come forth.
K
2.2 Is that a Courtier too.
B
2.2 Troth no; he has two essentiall parts of the Courtier,
B
2.2 Pride and Ignorance (I meane of such a Courtier, who is (indeed)
B
2.2 but the Zani to an exact Courtier) mary, the rest come somwhat
B
2.2 after the Ordinary Gallant. It is Impudence itself Anaides; one,
B
2.2 that speakes all that comes in his cheekes, and will blush no more
B
2.2 then a Sackbut. He lightly occupies the Iesters roome at the
B
2.2 table, and keeps laughter, Gelaia (a wench in pages atire) following
B
2.2 him in place of a Squire, whom he (now and then) tickles with
B
2.2 some strange ridiculous stuffe, vttered (as his land came to him)
B
2.2 by chance: He will censure or discourse of any*thing, but as absurdly
B
2.2 as you would wishe: His fashion is not to take knowledge
B
2.2 of him that is beneath him in cloathes; He neuer drinkes
B
2.2 below the Salt: He does naturally admire his wit, that weares
B
2.2 Gold-lace, or Tissue; Stabs any man that speakes more contemptibly
B
2.2 of the Scholler then he. He is a great proficient in all
B
2.2 the illiberall Sciences, as Cheating, Drinking, Swaggering,
B
2.2 Whoring, and such like; neuer kneeles, but to pledge Health's;
B
2.2 nor praies, but for a Pipe of pudding Tabaco. He will blaspheame
B
2.2 in his shirt; The oaths which he vomits at one supper,
B
2.2 would maintain a Towne of garrison in good swearing a twelue-moneth:
B
2.2 One other geniune quality he has, which crownes
B
2.2 all these; and that is this; to a Friend in want, he will not depart
B
2.2 with the weight of a soldard Groat, least the world might
B
2.2 censure him prodigall, or report him a Gull: Mary, to his Cocatrice
B
2.2 or Punquetto; halfe a dozen Taffata gownes or Sattin Kirtles,
B
2.2 in a paire or two of moneth's, why they are nothing.
K
2.2 I commend him he is one of my clients.
Scene 3
E
2.3 Come Sir. You are now within reguarde of the Presence;
E
2.3 And see, the priuacie of this roome, how sweetly it offers
E
2.3 itself to our retir'd intendments, Page, cast a vigilant,
E
2.3 and enquiring eye about, that we be not rudely surpris'd, by
E
2.3 the aproch of some ruder-stranger.
R
2.3 I warrant you Sir. I will tell you when the Woolfe enters feare nothing.
B
2.3 O what a masse of benefit shall we possesse, in being
B
2.3 the inuisible Spectators of this strange shew now to be acted?
E
2.3 Plant yourself there Sir: And obserue me. You shall
E
2.3 now, as well be the Ocular as the Eare-witnesse, how clearely
E
2.3 I can resell that Paradox, or rather Pseudodoxe of those, which
E
2.3 holde the face to be the Index of the minde, which (I assure
E
2.3 you) is not so, in any Politique creature; for instance, I will now
E
2.3 give you the particuler, and distinct face of euery your most
E
2.3 noted Species of persons; As your Marchant, your Scholler, your
E
2.3 Soldier, your Lawyer, Courtier, &c%. And each of these so truly, as
E
2.3 you would sweare (but that your eye sees the variation of the
E
2.3 lineament) it were my most proper, and Genuine aspect: First,
E
2.3 for your Marchants, or Citty face; It is thus: a dull plodding
E
2.3 face; still looking in a direct line, forward: There is no great
E
2.3 matter in this face. Then have you your Students, or Academique
E
2.3 face, which is here, an honest, simple, and Methodicall
E
2.3 face; But somewhat more spread then the former. The third
E
2.3 is your Soldiers face: A menacing, and astounding face, that
E
2.3 lookes broade, and bigge: the grace of this face consists much
E
2.3 in a Beard. The Anti face to this, is your Lawyers face; a contracted,
E
2.3 subtile, and Intricate face: full of quirkes, and turnings;
E
2.3 A Labyrintha*ean face, now angularly, now circularly, euery way
E
2.3 aspected. Next is your Statists face, a serious, solempne, and
E
2.3 supercilious face, ful of formall, and square grauity, the eye (for
E
2.3 the most part) arteficially and deeply shadow'd, there is great
E
2.3 iudgment requir'd in the making of this face. But now to come
E
2.3 to your face of faces; or Courtiers face: it is of three sorts; (according
E
2.3 to our subdiuision of a Courtier; Elementary, Practique,
E
2.3 and Theorique: your Courtier Theorique, is he that hath arriu'd
E
2.3 to his fardest, and doth now know the Court rather by speculation,
E
2.3 then practise; and this is his face: A fastidious, and oblique
E
2.3 face; that lookes, as it went with a Vice, and were screw'd thus.
E
2.3 Your Courtier Practique is he that is yet in his Path, his Course,
E
2.3 his Way, and hath not toucht the Puntillio or point of hopes; this
E
2.3 face is here: A most promising, open, smooth, and ouerflowing
E
2.3 face, that seemes as it would runne, and powre itself into you;
E
2.3 your Courtier Elementary is one but newly entered, or as it were
E
2.3 in the Alphabet Vt-re-mi-fa-sol-la, of Courtship: Note well this
E
2.3 face, for it is this you must practise.
F
2.3 I will practise them all, if you please Sir.
E
2.3 Aye; here*after you may: and it will not be altogether an
E
2.3 vngratfull study. For let your soule be assur'd of this (in any
E
2.3 Ranke or profession whatsoeuer) the most generall, or Maior
E
2.3 part of Opinion, goes with the face, and (simply) respects nothing
E
2.3 else. Therefore: if that can be made, exactly, curiously, exquisitely,
E
2.3 thoroughly, It is enough: But (for the present) you shall
E
2.3 only apply yourself to this face of the Elementary Courtier, A
E
2.3 light, reuelling, and protesting face, now blushing, now smiling
E
2.3 which you may helpe much with a wanton wagging of your
E
2.3 head, thus; (a feather will teach you) or with kissing your finger
E
2.3 that hath the Ruby, or playing with some string of your band,
E
2.3 which is a most quaint kinde of Melancholy besides. Where is
E
2.3 your Page? call for your Casting Bottle, and place your Mirror
E
2.3 in your Hat, as I tolde you; so. Come, looke not pale, obserue
E
2.3 me: set your face, and enter.
E
2.3 O for some excellent Painter, to have ta'ne the copye
E
2.3 of all these faces.
F
2.3 Prosaites.
E
2.3 Fie, I premonisht you of that; In the Court, Boy or Sirha.
R
2.3 Maister Lupus in -- O it is Prosaites.
F
2.3 Sirha, prepare me my Casting-bottle, I think I must
F
2.3 be enforst to purchase me another Page, you see how at hand
F
2.3 Cos waites here.
B
2.3 So will he too in time.
K
2.3 What is he Mercury?
B
2.3 A notable Finch. One that hath newly entertain'd the
B
2.3 Beggar to follow him, but cannot get him to wait neer inough.
B
2.3 It is Asotus the heire of Philargirus: but first I will give you the
B
2.3 others Caracter, which may make his the clearer? He that is
B
2.3 with him is Amorphus, A Traueller, One so made out of the
B
2.3 mixture and shreds of formes, that himself is truely deformed:
B
2.3 He walkes most commonlye with a Cloue or Pick-toothe
B
2.3 in his mouth, He is the very Minte of Complement;
B
2.3 All his behauiours are printed, his face is another volume of
B
2.3 Essayes; and his beard an Aristarchus. He speakes all creame,
B
2.3 skimd, and more affected then a dozen of waiting women; He is
B
2.3 his owne promooter in euery place: The wife of the Ordinary
B
2.3 gives him his diet to maintaine her table in discourse, which
B
2.3 (indeed) is a meere Tiranny over her other guests: for he will
B
2.3 vsurp all the talke: Ten Cunstables are not so tedious. He is no
B
2.3 great shifter; once a yeare his Apparell is ready to reuolt; He
B
2.3 doth vse much to arbitrate quarrells, and fights himself exceeding
B
2.3 well (out at a window.) He will lie cheaper then any
B
2.3 Begger, and lowder then most Clockes; for which he is right
B
2.3 properly accommodated to the Whetstone his page. The other
B
2.3 gallant is his Zani, and doth most of these tricks after him; sweats
B
2.3 to imitate him in euery*thing (to a haire) except a Beard, which
B
2.3 is not yet extant: he doth learne to eat Anchoues, and Caueare because
B
2.3 he loues them, speakes as he speakes; lookes, walkes, goes
B
2.3 so in Cloathes and fashion, is in all, as he were moulded of him.
B
2.3 Marry (before they met) he had other very pretty sufficiencies,
B
2.3 which yet he retaines some light Impression of: As frequenting
B
2.3 a dauncing schoole, and grieuously torturing strangers,
B
2.3 with inquisition after his grace in his Galliard; He buyes a fresh
B
2.3 acquaintance at any rate; his Eye, and his Raiment confer much
B
2.3 together as he goes in the street; He treads nicely, like a fellow
B
2.3 that walkes upon ropes, especially the first Sunday of his Silk-stockings,
B
2.3 and when he is most neate and new, you shall stripp
B
2.3 him with commendations.
K
2.3 Here comes another.
B
2.3 Aye, but one of another straine Cupid: This fellow
B
2.3 weighs somewhat.
K
2.3 His name Hermes?
B
2.3 Criticus. A creature of a most perfect and diuine temper;
B
2.3 One, in whom the Humors and Elements are peaceably met,
B
2.3 without a*emulation of Precedencie: he is neither too fantastickly
B
2.3 Melancholy; too slowly Plegmatick, too lightly Sanguine,
B
2.3 or too rashly Cholerick, but in all, so composd and order'd; as it is
B
2.3 cleare, Nature was about some full worke, she did more then
B
2.3 make a man when she made him; His discourse is like his behauiour,
B
2.3 vncommon, but not vnpleasing; he is prodigall of neither:
B
2.3 He striues rather to be (that which men call) Iudicious,
B
2.3 then to be thought so; and is so truely learned that he affects
B
2.3 not to shew it: He will think, and speak his thought, both freely;
B
2.3 but as distant from deprauing any other mans Merrit, as proclaiming
B
2.3 his owne: For his valor, it is such, that he dares as little to
B
2.3 offer an Iniury, as receiue one. In sum, he hath a most Ingenious
B
2.3 and sweet spirit, a sharp and season'd wit, a streight iudgement,
B
2.3 and a stronge minde; constant and vnshaken: Fortune
B
2.3 could neuer breake him, or make him lesse, he counts it his
B
2.3 pleasure to despise pleasures, and is more delighted with good
B
2.3 deedes then Goods, It is a competencie to him that he can be
B
2.3 vertuous. He doth neither couet, nor feare; he hath too much
B
2.3 reason to do either: and that commends all things to him.
K
2.3 Not better then Mercury commends him.
B
2.3 O Cupid, it is beyond my deity to give him his due
B
2.3 praises; I could leaue my Place in heauen, to liue among Mortals,
B
2.3 so I were sure to be no other then he.
K
2.3 Slight, I beleeue he is your Minion; you seeme to be so
K
2.3 rauisht with him.
B
2.3 He is one, I would not have awry thought darted against
B
2.3 willingly.
K
2.3 No, but a straight shaft in his bosome, I will promise him,
K
2.3 if I am Cithereas sonne.
B
2.3 Shall we go Cupid?
K
2.3 Stay and see the Ladies now; they will come presently. I will
K
2.3 helpe to paint them.
B
2.3 What lay Couller upon Couler? that affoordes but
B
2.3 an ill blazon.
K
2.3 Here come Mettall to helpe it, the Lady Argurion.
B
2.3 Money, money.
K
2.3 The fame: A Nimph of a most wandering and giddy
K
2.3 disposition, humourous as the Ayre, she will run from Gallant to
K
2.3 Gallant (as they sit at Primero in the Presence) most strangely,
K
2.3 and seldome stayes with any; She spreades as she goes: To*day
K
2.3 you shall have her looke as cleare and fresh as the morning
K
2.3 and to*morrow as Melancholy as midnight. She takes speciall
K
2.3 pleasure in a close, obscure lodging, and for that cause visits
K
2.3 the Cittie so often, where she has many secret and true concealing
K
2.3 fauorites. When she comes abroad she is more loose
K
2.3 and scattering then dust, and will fly from place to place, as she
K
2.3 were rapt with a whirle-winde. Your young Student (for the
K
2.3 most part) she affects not, onley salutes him, and away: A Poet
K
2.3 or a Philosopher she is hardly brought to take any notice of, no,
K
2.3 though he be some part of an Alchimist. She loues a Player,
K
2.3 well; and a Lawyer infinitly: but your Foole above all. She can
K
2.3 do much in the Court for the obtaining of any sute whatsoeuer,
K
2.3 no doore but flies open to her; her presence is above a
K
2.3 Charme: The woorst in her is want of keeping state, and too
K
2.3 much descending into inferior and base offices, She is for any
K
2.3 course Imployment you will put upon her, as to be your
K
2.3 Procurer or Pandar.
B
2.3 Peace Cupid; here comes more worke for you,
B
2.3 another Caracter or two.
Scene 4
N
2.4 Stay sweete Philautia; I will but change my fann, and go
N
2.4 presently.
Q
2.4 Now (in very good serious) Ladies, I will have this order
K
2.4 been a Dogge to have given entertainement to any Gallant in this
K
2.4 kingdome.
B
2.4 O I pray thee no more, I am full of her.
K
2.4 Yes (I must needes tell you) She composes a Sack-posset
K
2.4 well; and would court a young Page sweetly, but that
K
2.4 her breath is against it.
B
2.4 Now her breath (or some*thing more strong) protect
B
2.4 me from her; the other, the other, Cupid.
K
2.4 O, that is my Lady and Mistris Madam Philautia: She
K
2.4 admires not herself for any one particularity, but for all; She
K
2.4 is faire, and she knowes it; She has a pretty light wit too, and she
K
2.4 knowes it; She can daunce, and she knowes that too; play at
K
2.4 Shittle-cock, and that too: No quality she has, but she shall
K
2.4 take a very particuler knowledge of, and most Lady-like
K
2.4 commend it to you; you shall have her at any time read you
K
2.4 the History of herself, and very subtilly runne over another
K
2.4 Ladies sufficiences to come to her owne.
K
2.4 She has a good superficiall iudgement in Painting; and would
K
2.4 seeme to have so in Poetry. A most compleate Lady in the opinion
K
2.4 of some three beside herself.
P
2.4 Faith, how lik'd you my quipp to Hedon, about the garter?
P
2.4 was it not wittie?
Q
2.4 Exceeding witty and Integrate: you did so Aggrauate
Q
2.4 the Iest withall.
P
2.4 And did I not daunce moouingly last night?
Q
2.4 Moouingly; out of measure (in troth) Sweete Lady.
B
2.4 A happy commendation, to daunce, out of measure.
Q
2.4 Saue only you wanted the swim in the turne; O! when
Q
2.4 I was at fourteene --
P
2.4 Nay that is mine owne from any Nimph in the Court) I
P
2.4 am sure of it) therefore you mistake me in that Guardian; both
P
2.4 the swimme, and the trip, are properly mine; euery*body will
P
2.4 affirme it, that has any iudgement in dauncing: I assure you.
N
2.4 Come now Philautia I am for you, shall we go?
P
2.4 Aye good Phantaste; What? have you chang'd your headtire?
N
2.4 Yes faith; the other was so neare the common, it had
N
2.4 no extraordinary grace; besides, I had worne it almost a day
N
2.4 in good troath.
P
2.4 I will be sworne, this is most excellent for the deuise,
P
2.4 and rare. It is after the Italian print we look'd on the other night.
N
2.4 It is so: by this fanne, I cannot abide any*thing that
N
2.4 fauors the poore ouer-worne cut, that has any kindred with it;
N
2.4 I must have variety, I: This mixing in fashion I hate it woorse,
N
2.4 then to burne Iuniper in my Chamber I protest.
P
2.4 And yet we cannot have a new peculiar Court-tyre, but
P
2.4 these Retainers will have it; these Suburbe sunday-waiters, these
P
2.4 Courtiers for High daies, I know not what I should call them. --
N
2.4 O aye. They do most pitifully Imitate; but I have a tire a
N
2.4 comming (I*faith) shall --
Q
2.4 In good certaine, Madame, it makes you looke most
Q
2.4 heauenly; but (lay your hand on your hart) you neuer skind a
Q
2.4 new beauty more prosperously in your life, nor more supernaturally;
Q
2.4 looke good Lady, sweet Lady looke.
P
2.4 It is very cleere, and well beleeue me. But if you had
P
2.4 seene mine yeasterday when it was young, you would have --
P
2.4 who is your Doctor Phantaste?
N
2.4 Nay that is counsell Philautia, you shall pardon me: yet
N
2.4 (I will assure you) he is the most dainty, sweet, absolute rare man,
N
2.4 of the whole Colledge. O! his very lookes, his discourse, his
N
2.4 behauiour, all he does is Phisick I protest.
P
2.4 For heauens sake his name; good, deare, Phantaste --
N
2.4 No, no, no, no, no, no, (beleeue me) not for a Million of
N
2.4 heauens: I will not make him cheape. Fie --
P
2.4 There is a Nymph too of a most curious and elaborate
P
2.4 straine, light, all motion, an Vbiquitary, she is euery*where,
P
2.4 Phantaste --
B
2.4 Her very name speakes her; let her passe. But are these
B
2.4 (Cupid) the starres of Cynthias Court? do these Nymphs attend
B
2.4 upon Diana?
K
2.4 They are in her Court (Mercury) but not as Starres;
K
2.4 these neuer come in the presence of Cynthia: the Nimphes
K
2.4 that make her traine, are the Diuine Arete, Tima, Phronesis,
K
2.4 Thauma, and others of that high sort. These are priuately
K
2.4 brought in by Moria in this licencious time, against her knowledge;
K
2.4 and (like so many Meteors) will vanish when she
K
2.4 appeares.
Scene 5
I
2.5 Come follow me my Wagges, and say as I say.
I
2.5 There is no ritches but in Ragges; hey day, hey day;
I
2.5 You that professe this art. Come away; come away:
I
2.5 And helpe to beare a part. Hey day; hey day.
I
2.5 Beare-wards, and Blackingmen.
I
2.5 Corne-cutters, and Carmen.
I
2.5 Sellers of mar-king stones.
I
2.5 Gatherer's up of Marow-bones
I
2.5 Pedlers, and Puppit-players.
I
2.5 Sow-gelders, and Sooth-saiers.
I
2.5 Gipsies and taylers,
I
2.5 Rat-catchers, and Raylers,
I
2.5 Beadles, and Ballad-singers.
I
2.5 Fidlers, and Fadingers.
I
2.5 Thomalins, and Tinkers.
I
2.5 Scauengers, and Skinkers.
I
2.5 There goes the Hare away.
I
2.5 Hey day, Hey day.
I
2.5 Bawds and blinde Doctors.
I
2.5 Paritors, and spittle Proctors.
I
2.5 Chymists, and Cuttlebungs.
I
2.5 Hookers, and Horne-thums.
I
2.5 With all cast commaunders.
I
2.5 turnd Post-Knights, or Pandars.
I
2.5 Iuglers, and Iesters.
I
2.5 Borrowers of Testers.
I
2.5 All all the troope of trash
I
2.5 That are allied to the lash,
I
2.5 Come, and Ioyne with your lags
I
2.5 Shake up your muscle-bags.
I
2.5 For Beggary beares the sway,
I
2.5 Then sing: cast care away,
I
2.5 Hey day, hey day.
B
2.5 What? those that were our fellow Pages but now, so
B
2.5 soone prefer'd to be Yeomen of the Bottles? the mistery, the
B
2.5 mistery, good wagges?
K
2.5 Some dyet drinke, they have the guard of.
I
2.5 No Sir, we are going in quest of a strange Fountaine,
I
2.5 lately found out.
K
2.5 By whom?
R
2.5 My Maister or the great discouerer, Amorphus.
B
2.5 Thou hast well intitled him Cos, for he will discouer
B
2.5 all he knowes.
S
2.5 Aye and a little more too, when the spirit is upon him.
I
2.5 O the good trauelling Gentleman yonder, has causd
I
2.5 such a drought in the Presence, with reporting the wonders of
I
2.5 this new water; that all the Ladies, and Gallants lie languishing
I
2.5 upon the Rushes, like so many pounded Cattle in the midste of
I
2.5 Haruest, sighing one to another, and gasping, as if each of them
I
2.5 expected a Cock from the Fountaine, to be brought into his
I
2.5 mouth; and (without we returne quickly) they are all (as a youth
I
2.5 would say) no better then a few Trowts cast a*shore, or a dish
I
2.5 of Eeles in a Sand-bag.
B
2.5 Well then, you were best dispatch and have a care of them,
B
2.5 Come Cupid, thou and I will go peruse this drye wonder.
Act 3
Scene 1
E
3.1 Sir, let not this discountenance, or dis-gallant you a
E
3.1 whit, you must not sinke under the first disaster; It is with your
E
3.1 young Grammattical Courtier, as with your Neophyte-Player,
E
3.1 a thing vsuall to be daunted at the first presence, or enter-viewe:
E
3.1 you saw, there was Hedon and Anaides, (far more practisd gallants
E
3.1 then yourself) who were both out, to comfort you: It is no
E
3.1 disgrace, no more, then for your aduenturous Reueller to fall
E
3.1 by some in-auspicious chance in his Galliard, or for some subtill
E
3.1 Politician to vndertake the Bastinado, that the State might
E
3.1 think worthely of him, and respect him as a man well beaten
E
3.1 to the world. What? hath your Tayler prouided the property
E
3.1 (we spake of) at your Chamber, or no?
F
3.1 I think he has.
E
3.1 Nay, (I intreate you) be not so flat, and melancholique,
E
3.1 erect your minde: you shall redeeme this with the Courtship
E
3.1 I will teach you against afternoone: Where eate you to*day?
F
3.1 Where you please Sir, any*where I.
E
3.1 Come let us go and taste some light dinner, A dish
E
3.1 of slic'd Caueare, or so, and after you shall practise an hower
E
3.1 at your lodging, some fewe formes that I have remembred; If
E
3.1 you had but (so farre) gathered your spirits to you, as to have
E
3.1 taken up a Rushe (when you were out) and wagd it, thus; or
E
3.1 clensde your teeth with it, or but turn'de aside, and fainde
E
3.1 some businesse to whisper with your Page, till you had
E
3.1 recouer'd yourself, or but found some slight staine in your
E
3.1 stocking, or any other pretty Inuention (so it had been suddaine,)
E
3.1 you might have come off with a most cleare and
E
3.1 Courtly grace.
F
3.1 A poyson of all, I think I was forespoake, I.
E
3.1 No, I do partly ayme at the cause (which was omenous
E
3.1 indeed) for as you enter at the doore, there is oppos'de to
E
3.1 you the frame of a Wolfe in the Hangings, which (your eye
E
3.1 taking sodainely) gaue a false Alarme to the heart; and that
E
3.1 was it call'd your blood out of your face, and so disordred the
E
3.1 whole ranke of your spirits: I beseech you labour to forget it.
Scene 2
G
3.2 Heart, was there euer so prosperous an Inuention thus
G
3.2 vnluckely peruerted, and spoyld, by a whoore-sonne Book-worme,
G
3.2 a Candle-waster?
H
3.2 Nay, be not impatient, Hedon.
G
3.2 Slight, I would faine know his name.
H
3.2 Hang him poore Grogran Rascall, pr'ythee think not
H
3.2 of him: I will send for him to my lodging, and have him blanketted
H
3.2 when thou wilt, man.
G
3.2 By gods son; I would thou couldst. Looke, here he comes.
G
3.2 Laugh at him, laugh at him. Ha, ha, ha.
H
3.2 Fough, he smels all Lamp-oyle, with studying by
H
3.2 Candle-light.
G
3.2 How confidently he went by us; and carelesly!
G
3.2 neuer moou'd! nor stird at any*thing! Did you obserue him?
H
3.2 Aye a poxe on him, let him go, Dormouse: he is in a
H
3.2 dreame now; He has no other time, to sleepe but thus when he
H
3.2 walkes abroade, to take the ayre.
G
3.2 Gods pretious, this afflicts me more then all the rest,
G
3.2 that we should so particulerly direct our Hate, and Contempt
G
3.2 against him; and he to carry it thus without wound or passion!
G
3.2 it is insufferable.
H
3.2 'Slid, (my deare Enuy) if, thou but saist the word now,
H
3.2 I will vndoe him eternally for thee.
G
3.2 How sweete Anaides?
H
3.2 Marry halfe a score of us get him in (one night) and
H
3.2 make him pawne his wit for a supper.
G
3.2 Away, thou hast such vnseasonable Iests. By this heauen
G
3.2 I wonder at nothing more then our Gentlemen Vshers;
G
3.2 that will suffer a piece of Serge, or Perpetuana, to come into
G
3.2 the Presence: methinks, they, should (out of their Experience)
G
3.2 better distinguish the silken disposition of a Courtier,
G
3.2 then to let such terrible course Rags mixe with them, able to
G
3.2 fret any smooth or gentile Society to the threds, with their
G
3.2 rubbing Deuises.
H
3.2 Damne me, if I should aduenture on his company
H
3.2 once more, without a sute of Buffe, to defend my wit: he does
H
3.2 nothing but stabbe the slaue: how mischeiuously he crost thy
H
3.2 devuise of the Prophesie there? and Moria she comes without
H
3.2 her Muffe too; and there my inuention was lost.
G
3.2 Well, I am resolu'd, what I will do.
H
3.2 What, my good spiritous Sparke?
G
3.2 Marry, speake all the venome I can of him; and poyson
G
3.2 his reputation in euery place where I come.
H
3.2 'Fore god most Courtly.
G
3.2 And if I chance to be present where any question is
G
3.2 made of his sufficiencies, or of any*thing he hath done priuate
G
3.2 or publique; I will censure it slightly, and ridiculously --
H
3.2 At any hand beware of that, so you may draw your
H
3.2 owne iudgement, in suspect; No, I will instruct thee what thou
H
3.2 shalt do, and by a safer meanes: approue any*thing thou hearest
H
3.2 of his, to the receiud opinion of it; but if it be extraordinary,
H
3.2 give it from him to some other, whom thou more particulerly
H
3.2 affectst, that is the waye to plague him, and he shall
H
3.2 neuer come to defend himself: Sblood, I will give out all he does
H
3.2 is dictated from other men; and sweare it too (if thou wilt have me)
H
3.2 and that I know the time, and place, where he stoale it: though
H
3.2 my soule be guilty of no such thing; and that I think out of
H
3.2 my hart, he hates such barren shifts; yet to do thee a pleasure
H
3.2 and him a disgrace, I will damne myself, or do any*thing.
G
3.2 Gramercies my deare Deuill: we will put it seriouslie in
G
3.2 practise, I*faith.
Scene 3
D
3.3 Do good Detraction, do: and I the while
D
3.3 Shall shake thy spight off with a carelesse smile.
D
3.3 Poore pitteous Gallants, what leane idle sleights
D
3.3 Their thoughts suggest to flatter their steru'd Hopes!
D
3.3 As if I knew not how to entertaine
D
3.3 These Straw-deuises; but of force must yeeld
D
3.3 To the weake stroake of their calumnious tongues.
D
3.3 Why should I care what euery Dor doth buzze
D
3.3 In credulous eares? it is a Crowne to me,
D
3.3 That the best iudgements can report me wrong'd;
D
3.3 Them Liars; and their slanders impudent.
D
3.3 Perhaps (upon the rumor of their speeches)
D
3.3 Some grieued friend will whisper, Criticus,
D
3.3 Men speake ill of thee: So they be ill men,
D
3.3 If they spake worse, it were better: For of such
D
3.3 To be disprais'd, is the most perfect praise.
D
3.3 What can his Censure hurt me, whom the world
D
3.3 Hath censur'd vile before me? If good Chrestus,
D
3.3 Euthus, or Phronimus, had spoake the words,
D
3.3 They would have moou'd me; and I should have cal'd
D
3.3 My thoughts and Actions to a strict accompt
D
3.3 upon the hearing: But when I remember
D
3.3 It is Hedon and Anaides: Alasse, then,
D
3.3 I think but what they are, and am not stir'd:
D
3.3 The one, a light voluptuous Reueller,
D
3.3 The other a strange arrogating Puffe,
D
3.3 Both impudent, and ignorant enough;
D
3.3 That talke (as they are wont) not as I merit;
D
3.3 Traduce by Custome, as most Dogs do barke,
D
3.3 Do nothing out of iudgment, but disease;
D
3.3 Speake ill, because they neuer could speake well:
D
3.3 And who would be angry with this race of Creatures?
D
3.3 What wise Phisitian have we euer seene
D
3.3 Moou'd with a frantique man? the same affects
D
3.3 That he doth beare to his sicke Patient,
D
3.3 Should a right minde carry to such as these:
D
3.3 And I do count it a most rare Reuenge,
D
3.3 That I can thus (with such a sweet neglect)
D
3.3 Pluck from them all the pleasure of their Mallice.
D
3.3 For that is the marke of all their enginous drifts,
D
3.3 To wound my Patience (how*soe're they seeme
D
3.3 To ayme at other obiects) which if mist,
D
3.3 Their Enuy's like an Arrow shot vpright,
D
3.3 That in the fall endangers their owne heads.
Scene 4
M
3.4 What Criticus? where have you spent the day.
M
3.4 You have not visited your iealous friends?
D
3.4 Where I have seene (most honor'd Arete,)
D
3.4 The strangest Pageant, fashion'd like a Court,
D
3.4 (At least I dreamp't I saw it) so diffus'd,
D
3.4 So painted, pyed, and full of Raine-bow straines;
D
3.4 As neuer yet (either by Time, or Place)
D
3.4 Was made the foode to my distasted Sence:
D
3.4 Nor can my weake imperfect Memory
D
3.4 Now render halfe the formes vnto my tongue,
D
3.4 That were conuolu'd within this thrifty Roome.
D
3.4 Here, stalkes me by, a proud, and spangled Sir,
D
3.4 That lookes three handfuls higher then his fore-top;
D
3.4 Sauors himself alone, is only kind
D
3.4 And louing to himself: One that will speake
D
3.4 More darke and doubtfull then sixe oracles;
D
3.4 Salutes a friend, as if he had a stitch,
D
3.4 Is his owne Chronicle, and scarce can eate
D
3.4 For registring himself; is waited on,
D
3.4 By Mimiques, Iesters, Pandars, Parasites,
D
3.4 And other such like Prodigies of men.
D
3.4 He past; there comes some subtill Proteus: One
D
3.4 Can change, and vary with all formes he sees;
D
3.4 Be any*thing but honest; serues the time;
D
3.4 Houers betwixt two factions, and explores
D
3.4 The drifts of both; which (with crosse face) he beares
D
3.4 To the deuided heads, and is receiu'd
D
3.4 With mutuall grace of either: One that dares
D
3.4 Do deeds worthy the Hurdle, or the Wheele,
D
3.4 To be thought some*body; and is (in sooth)
D
3.4 Such as the Satyrist points truly foorth,
D
3.4 Criminibus debent hortos, pra*etoria, mensas:
M
3.4 You tell us wonders Criticus.
D
3.4 Tut, this is nothing.
D
3.4 There stands a Neophyte, glazing of his face,
D
3.4 Against his Idoll enters; and repeats,
D
3.4 (Like an vnperfect Prologue, at third Musique)
D
3.4 His part of speeches, and confederate Iests
D
3.4 In passion to himself; Another sweares
D
3.4 His Scene of Courtship over, and then seemes
D
3.4 As he would kisse away his hand in kindnesse;
D
3.4 A third, is most in Action; swims, and frisks,
D
3.4 Playes with his mistresse paps, salutes her pomps;
D
3.4 Will spend his Patrimonie for a Garter,
D
3.4 Or the least fether in her bounteous Fanne:
D
3.4 A fourth, he only comes in for a Mute,
D
3.4 Diuides the Act with a dumbe shew, and Exit,
D
3.4 Then must the Ladies laugh: streight comes their Scene;
D
3.4 A sixth times worse Confusion then the Rest.
D
3.4 Where you shall heare one talke of this mans Eye;
D
3.4 Another of his Lip, a third, his Nose;
D
3.4 A fourth commend his Leg, a fifth his Foote,
D
3.4 A sixth his Hand, and euery*one a lim;
D
3.4 That you would think the poore distorted Gallant
D
3.4 Must there expire: Then fall they in discourse
D
3.4 Of Tires, and Fashions; how they must take place:
D
3.4 Where they may kisse; and whom: when to sit down;
D
3.4 And with what grace to rise; if they salute,
D
3.4 What curtesie they must vse; such Cob-web stuffe,
D
3.4 As would enforce the commonst sence abhorre
D
3.4 The Arachnean workers.
M
3.4 Patience Criticus.
M
3.4 This knot of Spiders will be soone dissolu'd,
M
3.4 And all their webbes swept out of Cynthias Court,
M
3.4 When once her glorious Deity appeares,
M
3.4 And but presents itself in her full light:
M
3.4 Till when, go in: and spend your howers with us
M
3.4 Your honor'd friends Tima*e, and Phronesis,
M
3.4 In contemplation of our Goddesse name:
M
3.4 Think on some sweet, and choyse Inuention now,
M
3.4 (Worthy her serious, and illustrous Eyes)
M
3.4 That from the merit of it we may take
M
3.4 Desier'd occasion to prefer your worth,
M
3.4 And make your seruice knowne to Cynthia:
M
3.4 It is the pride of Arete to grace
M
3.4 Her studious louers; and (in scorne of Time,
M
3.4 Enuy, and Ignorance) to lift their state
M
3.4 Above a vulgar height. True Happinesse
M
3.4 Consists not in the multitude of friends,
M
3.4 But in the worth, and choyse; Nor would I have
M
3.4 Vertue, a popular Reguard pursew;
M
3.4 Let them be good that loue me, though but few.
D
3.4 I kisse thy hands, diuinest Arete,
D
3.4 And vowe myself to thee, and Cynthia.
Scene 5
E
3.5 A little more forward; So Sir. Now go in, dis-cloake
E
3.5 yourself, and come forth. Taylor; bestow thy absence upon
E
3.5 us; and be not prodigall of this secret, but to a deare Customer.
E
3.5 It is well enter'd Sir. Stay you come on too fast; your Pace is too
E
3.5 impetuous. Imagine this to be the Pallace of your Pleasure, or
E
3.5 Place where your Lady is pleas'd to be seene: First you present
E
3.5 yourself thus; and spying her you fall off, and walke some
E
3.5 two turnes; in which time it is to be suppos'd your Passion
E
3.5 hath sufficiently whited your Face? then (stifling a sigh or two,
E
3.5 and closing your lippes) with a trembling boldnesse, and bolde
E
3.5 terror; you aduance yourself forward. Try thus much I pray
E
3.5 you.
F
3.5 Yes Sir, (pray god I can light on it) Here I come in you
F
3.5 say: and present myself?
E
3.5 Good.
F
3.5 And then I spy her, and walke off?
E
3.5 Very good.
E
3.5 Or thus Sir. All variety of diuine pleasures, choyse sports,
E
3.5 sweete Musique, rich Fare, braue Attires, soft Beds, and silken thoughts,
E
3.5 attend this deare Beauty.
F
3.5 Beleeue me that is prerty: All varietie of diuine pleasures,
F
3.5 choyse sports, sweet Musique, rich Fare, braue Attires, soft Beds, and
F
3.5 silken thoughts, attend this deare Beauty.
E
3.5 And then, offring to kisse her hand, if she shall coyly
E
3.5 recoyle, and signifie your repulse; you are to re-enforce yourself
E
3.5 with, More then most faire Lady; let not the Rigor of your iust
E
3.5 disdaine thus coursly censure of your seruants zeale: and (with-all)
E
3.5 protest her, To be the only, and absolute vn-paraleled Creature, you
E
3.5 do adore, and admire, and respect, and reuerence, in this Court, Corner
E
3.5 of the world, or Kingdome.
F
3.5 This is hard by my faith: I will begin it all againe.
E
3.5 Do so, and I will Act it for your Lady.
F
3.5 Will you vouchsafe sir? All varietie of diuine pleasures,
F
3.5 choise Sports, sweete Musique, rich Fare, braue Attire, soft Beds, and
F
3.5 silken thoughts, attend this deare Beauty.
E
3.5 So Sir, pray you a*way.
F
3.5 More then most faire Lady, let not the Rigor of your iust
F
3.5 disdaine, thus coursly censure of your seruants zeale. I protest you are
F
3.5 then only and absolute vn-aparailed --
E
3.5 Vn-paraleld.
F
3.5 Vn-paraleld Creature, I do adore, and admire, and respect,
F
3.5 and reuerence, in this Court, Corner of the world, or kingdome.
E
3.5 This is if she abide you: But now; put case she
E
3.5 should be Passant when you enter, as thus: you are to
E
3.5 frame your Gate ther'after, and call upon her: Lady, Nimph,
E
3.5 Sweet Refuge, Starre of our Court: Then if she be Guardant,
E
3.5 here: you are to come on, and (laterally disposing yourself,)
E
3.5 sweare by her blushing and well coulored cheeke: the bright dye of
E
3.5 her hayre, her Iuorie teeth, or some such white and Innocent
E
3.5 oath, to induce you. If Reguardant; then, maintein your station,
E
3.5 Briske, and Irpe, shew the supple motion of your plyant body:
E
3.5 but (in chiefe) of your knee, and hand, which cannot but arride
E
3.5 her proude Humor exceedingly.
F
3.5 I conceiue you sir, I shall performe all these things
F
3.5 in good time, I doubt not, they do so hit me.
E
3.5 Well Sir, I am your Lady; make vse of any of these
E
3.5 beginnings, or some other out of your owne inuention: and
E
3.5 prooue how you can holde up and follow it. Say, Say.
F
3.5 Yes Sir: my deare Lindabrides.
E
3.5 No, you affect that Lindabrides too much: And (let me
E
3.5 tell you) it is not so Courtly. Your Pedant should prouide you
E
3.5 some parcels of French, or some pretty Commodity of Italian
E
3.5 to commence with, if you would be exotick, and exquisite.
F
3.5 Yes Sir, he was at my lodging the other morning, I gaue
F
3.5 him a Doublet.
E
3.5 Double your beneuolence, and give him the Hose
E
3.5 too; cloathe you his body, he will helpe to apparaile your
E
3.5 minde. But now, see what your proper Genius can performe
E
3.5 alone, without adiection of any other Minerua.
F
3.5 I comprehend you sir.
E
3.5 I do stand you Sir: fall backe to your first place.
E
3.5 Good; passing well: Very properly pursewd.
F
3.5 Beautiful, ambiguous, and sufficient Lady. What are
F
3.5 you all alone.
E
3.5 We would be Sir, if you would leaue us.
F
3.5 I am at your beauties appointment: bright Angell;
F
3.5 but --
E
3.5 What but?
F
3.5 No harme, more then most faire feature.
E
3.5 That touch relished well.
F
3.5 But I protest.
E
3.5 And why should you protest?
F
3.5 For good will (deare esteem'd Madam) and I hope your
F
3.5 Ladiship will so conceiue of it: If euer you have seene great
F
3.5 TAMBERLAINE.
E
3.5 O that Blanke was excellent: if you could pick out
E
3.5 more of these Play-particles, and (as occasion shall salute you)
E
3.5 embroyder or damaske your discourse with them (perswade
E
3.5 your soule) it would iudiciouslye commend you: Come, this
E
3.5 was a well-dischar'gd and auspicious Bout: prooue the second.
F
3.5 Lady, I cannot swagger it in Black and Yellow.
E
3.5 Why if you can Reuell it in White Sir, it is sufficient.
F
3.5 Say you so Sweete Lady? Lan, tede de, de, dant, dant, dant,
F
3.5 dante, &c% No (in good faith) Madame, whoseuer tould your
F
3.5 Ladyship so, abus'd you; but I would be glad to meete your
F
3.5 Ladiship in a measure.
E
3.5 Me Sir? beelike you measure me by yourself
E
3.5 then?
F
3.5 Would I might Fayre Feature.
E
3.5 And what were you the better, if you might?
F
3.5 The better it please you to aske, Fayre Lady.
E
3.5 Why this was rauishing, and most acutely continew'd;
E
3.5 Well, spend not your humor too much, you have now
E
3.5 competently exercised your Conceipt: this (once or twise a
E
3.5 day) will render you an accomplisht, elaborate, and well leueled
E
3.5 Gentleman; conuay in your Courting-stock, we will (in the
E
3.5 heate of this) go visite the Nymphs Chamber.
Act 4
Scene 1
N
4.1 I would this water would arriue once our trauayling
N
4.1 friend so commended to us.
O
4.1 So would I, for he has left all us in trauaile, with expectation
O
4.1 of it.
N
4.1 Pray Ioue, I neuer rise from this Couch, if euer I thirsted
N
4.1 more for a thing, in my whole time of being a Courtier.
P
4.1 Nor I, I will be sworne; the very mention of it sets my
P
4.1 lippes in a worse heate, then if he had sprinkled them with
P
4.1 Mercury. Reach me the glasse Sirah.
K
4.1 Here Lady.
Q
4.1 They do not peele sweete charge? do they?
P
4.1 Yes a little Guardian.
Q
4.1 O it is a imminent good signe. Euer when my lippes
Q
4.1 do so, I am sure to have some delicious good drinke or other
Q
4.1 approaching.
O
4.1 Mary and this may be good for us Ladies: for (it seemes)
O
4.1 it is far-set by their stay.
Q
4.1 My pallat for yours (deare Honor) it shall prooue
Q
4.1 most elegant I warrant you: O, I do fancie this geare that is
Q
4.1 long a*comming, with an vnmeasurable strayne.
N
4.1 Pray thee sit downe Philautia, that Rebatu beecoms
N
4.1 thee singularly.
P
4.1 Is it not queynt?
N
4.1 Yes faith: me*thinks thy seruant Hedon is nothing so
N
4.1 obsequious to thee, as he was wont to be; I know not how,
N
4.1 He is growne out of his Garbe a-late, he is warp't.
B
4.1 In truenesse, and so me*thinks too, he is much conuerted.
B
4.1
P
4.1 Tut; let him be what he will, it is an Animall I
P
4.1 dreame not of. This tire (me*thinks) makes me looke very Ingenuously,
P
4.1 quick, and spirited: I should be some Laura, or some
P
4.1 Delia me*thinks.
Q
4.1 As I am wise (faire honors) that title she gaue him, to
Q
4.1 be her Ambition, spoild him: Before, he was the most propitious,
Q
4.1 and obseruant young Nouice. --
N
4.1 No, no; you are the whole heauen awry Guardian, it is
N
4.1 the swaggering tilt-horse Anaides drawes with him there, has
N
4.1 been the diuerter of him.
P
4.1 For Cupids sake speake no more of him; would I might
P
4.1 neuer dare to looke in a Mirror againe, if I respect ere a Marmaset
P
4.1 of them all, otherwise, then I would a Fether, or my Shittle-cock,
P
4.1 to make sport with, now and then.
N
4.1 Come sit downe; troath (and you be good Beauties) let us
N
4.1 run over them all now: Which is the properst man amongst
N
4.1 them? I say the Trauailer, Amorphus.
P
4.1 O fie on him: he lookes like a Dutch Trumpetter in the
P
4.1 battell of Lepanto, in the gallery yonder; and speakes to the tune
P
4.1 of a country Lady, that comes euer in the rere ward, or traine of
P
4.1 a Fashion.
Q
4.1 I should have iudgement, in a feature sweet Beauties.
N
4.1 A body would think so, at these yeares.
Q
4.1 And I prefer another now, farre before him, A million
Q
4.1 at least.
N
4.1 Who might that be Guardian?
Q
4.1 Mary (faire Charge) Anaides.
N
4.1 Anaides? you talk't of a tune Philautia, there is one
N
4.1 speakes in a Key: like the opening of some Iustices gate, or a
N
4.1 Post-Boyes horne, as if his voyce fear'd an Arrest for some ill
N
4.1 words it should give, and were loath to come forth.
P
4.1 Aye, and he has a very imperfect face.
N
4.1 Like a squeez'd Orenge, sower, sower.
P
4.1 His Hand is too great too; by at least a strawes breadth.
N
4.1 Nay he has a woorse fault then that too.
P
4.1 A long heele?
N
4.1 That were a fault in a Lady rather then him: No, they
N
4.1 say he puts off the Calues of his Legges with his Stockings euery
N
4.1 night.
P
4.1 Out upon him: turne to another of the Pictures for
P
4.1 Gods sake. What saies Argurion? whom does she commend afore
P
4.1 the rest?
K
4.1 I hope I have instructed her sufficiently for an answere.
K
4.1
Q
4.1 Troth I made the motion to her Lady-ship for one to*day
Q
4.1 in the Presence, but it appear'd she was other wayes furnisht
Q
4.1 before; She would none.
N
4.1 Who was that Argurion?
Q
4.1 Mary the little, poore, plaine Gentleman in the black there.
N
4.1 Who? Criticus?
O
4.1 Aye, aye, he; A fellow that no*body so much as lookt upon,
O
4.1 or regarded, and she would have had me done him particuler
O
4.1 grace.
N
4.1 That was a true trick of yourself Moria, to perswade
N
4.1 Argurion affect the scholler.
O
4.1 Tut; but she shall be no chooser for me. In good faith I
O
4.1 like the Citizens sonne there Asotus, me*thinks, none of
O
4.1 them all come neare him.
N
4.1 Not Hedon?
O
4.1 Hedon, in troth no. Hedon is a pretty slight Courtier,
O
4.1 and he weares his clothes well, and sometimes in fashion; marry
O
4.1 his face is but indifferent, and he has no such excellent body.
O
4.1 No; the other is a most delicate youth, a sweete face, a streight
O
4.1 body, a well proportion'd legge, and foote, a white hand, a tender
O
4.1 voyce.
P
4.1 How now Argurion?
N
4.1 O you should have let her alone, she was bestowing a
N
4.1 Coppy of him upon us.
P
4.1 Why she doates more palpably upon him, then ere his
P
4.1 Father did upon her.
N
4.1 Beleeue me, the young gentleman deserues it; if she
N
4.1 could doate more it were not amisse: He is an exceeding proper
N
4.1 youth, and would have made a most neate Barber-surgeon,
N
4.1 if he had been put to it in time.
P
4.1 Say you so? me*thinks, he lookes like a Taylor already.
N
4.1 Aye, that had said on one of his Customers suites.
O
4.1 Well Ladyes, Iest on: the best of you both would be glad
O
4.1 of such a seruant.
Q
4.1 Aye, I will be sworne would they: go to Beauties, make much
Q
4.1 of Time, and Place, and Occasion, and Opportunity, and Fauorites,
Q
4.1 and things that belong to them; for I will ensure you, they will all
Q
4.1 relinquish; they cannot endure above another yeere; I know it
Q
4.1 out of future experience, and therefore take exhibition, and
Q
4.1 warning: I was once a Reueller myself, and though I speake
Q
4.1 it (as mine owne Trumpet) I was then esteemd --
P
4.1 The very Marchpane of the Court I warrant?
N
4.1 And all the Gallants came about you like flies, did they
N
4.1 not?
Q
4.1 Go to; they did somewhat, that is no matter now. Here
Q
4.1 comes Hedon.
Scene 2
G
4.2 Saue you sweete and cleare beauties: By the spirit that
G
4.2 mooues in me, you are almost pleasingly bestow'd Ladies.
G
4.2 Only, I can take it for no good Omen, to finde mine Honor so
G
4.2 deiected.
P
4.2 You need not feare Sir, I did of purpose humble myself
P
4.2 against your comming, to decline the pride of my Ambition.
P
4.2
G
4.2 Fayre Honor, Ambition dares not stoope; but if it be
G
4.2 your sweet pleasure, I shall loose that Title; I will (as I am
G
4.2 Hedon) apply myself to your bounties.
P
4.2 That were the next way to distitle myself of Honor:
P
4.2 O no, rather be still Ambitious I pray you.
G
4.2 I will be any*thing that you please, whilst it pleaseth
G
4.2 you to be yourself Lady. Sweete Phantaste, Deare Moria,
G
4.2 most beautifull Argurion --
H
4.2 Farewell Hedon.
G
4.2 Anaides, Stay: whither go you?
H
4.2 'Slight, what should I do here? and you engrose them
H
4.2 all for your owne vse, it is time for me to seeke out.
G
4.2 I engrose them? Away mischiefe, this is one of your
G
4.2 extrauagant Iests now, because I began to salute them by their
G
4.2 names --
H
4.2 Faith you might have spar'de us Madame Prudence
H
4.2 the Guardian there, though you had more couetously aymde
H
4.2 at the rest.
G
4.2 'Shart, take them all man; what speake you to me of
G
4.2 ayming or Couetous?
H
4.2 Aye, say you so? nay then, have at them: Ladies, here is
H
4.2 one hath distinguish'd you by your names already; It shall
H
4.2 only become me, to aske; How you do?
G
4.2 Gods son, was this the disseigne you trauel'd with?
N
4.2 Who answers the Brazen head? it spoke to some*body?
H
4.2 Lady Wisedome, do you Interprete for these puppets?
Q
4.2 In truth, and sadnesse (Honors) you are in great offence
Q
4.2 for this; go to; the Gentleman (I will vndertake with him) is a
Q
4.2 man of aire liuing, and able to maintaine a Lady in her two
Q
4.2 Coaches a day, besides Pages, Munkeys, and Parachitos, with
Q
4.2 such attendants as she shall think meete for her turne; and
Q
4.2 therefore there is more respect requirable, how*soeuer you
Q
4.2 seeme to conniue: Hearke you Sir, let me discourse a sillable
Q
4.2 with you. I am to say to you, these Ladyes are not of that close,
Q
4.2 and open behauiour, as happily you may suspend; their Cariadge
Q
4.2 is well knowne to be such as it should be, both gentle and
Q
4.2 extraordinary.
B
4.2 O here comes the other Payre.
Scene 3
E
4.3 That was your Fathers Loue, the Nymph Argurion.
E
4.3 I would have you direct all your Courtship thither, if you
E
4.3 could but endeare yourself to her affection, you were eternally
E
4.3 engallanted.
F
4.3 In truth Sir? pray Phoebus I prooue sauorsome in her
F
4.3 fayre eyes.
E
4.3 All diuine mixture, and encrease of beauty, to this
E
4.3 bright Beuy of Ladyes; and to the male-Courtiers Complement,
E
4.3 and Courtesie.
G
4.3 In the behalfe of the Males, I gratefie you Amorphus.
N
4.3 And I of the Females.
E
4.3 Succinctly spoken: I do vale to both your thanks,
E
4.3 and kisse them; but primarily to yours, Most ingenious, acute,
E
4.3 and polite Lady.
P
4.3 Gods my life, how he does all to be*qualifie her! Ingenious,
P
4.3 Acute, and Polite, as she.
G
4.3 Yes, but you must know Lady, he cannot speake out
G
4.3 of a Dictionary method.
N
4.3 Sit downe sweete Amorphus. When will this water
N
4.3 come think you?
E
4.3 It cannot now be long fayre Lady.
K
4.3 Now obserue Mercury.
F
4.3 How most Ambiguous beauty? Loue you? that I will
F
4.3 by this Hand-kercher.
B
4.3 'Slid he drawes his oathes out of his pocket.
O
4.3 But will you be constant?
F
4.3 Constant Madame? I will not say for Constantnesse,
F
4.3 but by this Pursse (which I would be loath to
F
4.3 sweare by, unless it were embroyder'd)
F
4.3 I protest (more then most fayre Lady) you are the onley, absolute
F
4.3 and vn-paraleld Creature, I do adore, and admire, and respect, and
F
4.3 reuerence in this Court, Corner of the world, or Kingdome, me*thinks
F
4.3 you are Melancholy.
O
4.3 Does your heart speake all this?
F
4.3 Say you?
B
4.3 O he is groaping for another oath.
F
4.3 Now by this Watch (I marle how forward the day
F
4.3 is) I do vnfaignedly vowe myself ('Slight it is deeper then I
F
4.3 tooke it, past fiue) your's entirely addicted, Madame.
O
4.3 I require no more dearest Asotus, hence-forth let me
O
4.3 call you mine; and in remembrance of me, voutchsafe to weare
O
4.3 this Chaine, and this Diamond.
F
4.3 O god sweete Lady.
K
4.3 There are new oathes for him: what? doth Hermes
K
4.3 taste no Alteration in all this?
B
4.3 Yes, thou hast strooke Argurion enamour'd on Asotus
B
4.3 me*thinks?
K
4.3 Alasse no; I am no*body, I: I can do nothing in this
K
4.3 disguise.
B
4.3 But thou hast not wounded any of the rest, Cupid?
K
4.3 Not yet: it is enough that I have begunne so prosperously.
O
4.3 Tut, these are nothing to the Gems I will howerly
O
4.3 bestow upon thee: be but faithfull and kinde to me, and I will
O
4.3 lade thee with my richest bounties: beholde here my Bracelets
O
4.3 from mine Armes.
F
4.3 Not so good Lady, By this Diamond.
O
4.3 Take them; weare them: my Iewels, Chaine of Pearle,
O
4.3 Pendants, all I have.
F
4.3 Nay then, by this Pearle You make me a Wanton.
K
4.3 Shall not she answere for this, to mainteine him thus
K
4.3 in swearing?
B
4.3 O, no, there is a way to weane him from this: the
B
4.3 Gentleman may be reclaim'd.
K
4.3 Aye, if you had the ayring of his apparell Cosse, I think.
F
4.3 Louing? it were pitty I should be liuing else, beleeue
F
4.3 me. Saue you Sir. Saue you sweete Lady, Saue you Mounsieur Anaides;
F
4.3 Saue you deare Madame.
H
4.3 Dost thou knowe him that saluted thee, Hedon?
H
4.3
G
4.3 No, some idle Fungoso I warrant you.
H
4.3 'Sbloud, I neuer saw him till this morning, and he salutes
H
4.3 me as familiarly, as if we had knowne together, since the
H
4.3 first yeare of the siege of Troy.
E
4.3 A most right-handed, and auspicious encounter.
E
4.3 Confine yourself to your fortunes.
P
4.3 For gods sake let us have some Riddles or Purposes;
P
4.3 hough.
N
4.3 No faith, your Prophecies are best, the 'tother are
N
4.3 stale.
P
4.3 Prophecies? we cannot all sit in at them; we shall
P
4.3 make a confusion: no; what calde you that we had in the forenoone?
P
4.3
N
4.3 Substantiues, and Adiectiues. Is it not Hedon?
P
4.3 Aye that, who begins?
N
4.3 I have thought; speake your Adiectiues Sirs?
P
4.3 But do not you change them.
N
4.3 Not I, Who sayes?
Q
4.3 Odoriferous.
P
4.3 Popular.
O
4.3 Humble.
H
4.3 White-liuer'd.
G
4.3 Barbarous.
E
4.3 Pythagoricall.
G
4.3 Yours Signior.
F
4.3 What must I do Sir?
E
4.3 Give foorth your Adiectiue with the rest; as Prosperous,
E
4.3 Good, Faire, Sweete, Well.
G
4.3 Any*thing that hath not been spoken.
F
4.3 Yes Sir: Well-spoken shall be mine.
N
4.3 What? have you all done.
X
4.3 Aye.
N
4.3 Then the Substantiue is Breeches. Why Odoriferous
N
4.3 Breeches Guardian?
Q
4.3 Odoriferous, because Odoriferous: that which containes
Q
4.3 most variety of sauor, and smell, we say is most Odoriferous:
Q
4.3 Now Breeches I presume are incident to that variety, and
Q
4.3 therefore, Odoriferous Breeches.
N
4.3 Well, we must take it howsoeuer, who is next, Philautia.
P
4.3 Popular.
N
4.3 Why Popular Breeches?
P
4.3 Mary that is, when they are not content to be generally
P
4.3 noted in Court; but will presse foorth on common Stages,
P
4.3 and Brokers stalls, to the publique view of the world.
N
4.3 Good: why Humble Breeches? Argurion.
O
4.3 Humble, because they vse to be sat upon; besides
O
4.3 if you tye them not up, their propertie is to fall downe about
O
4.3 your heeles.
B
4.3 She has worne the Breeches it seemes which have
B
4.3 done so.
N
4.3 But why White-liuerd?
F
4.3 Well-spoken: mary well-spoken, because whatsouer
F
4.3 they speake is well taken, and whatsoeuer is well taken, is
F
4.3 well-spoken.
Q
4.3 Excellent: beleeue me.
F
4.3 Not so Ladyes neither.
G
4.3 But why Breeches now?
N
4.3 Breeches quasi Beare-riches; when a gallant beares all
N
4.3 his Ritches in his Breeches.
P
4.3 In good faith these vnhappy Pages, would be whipt
P
4.3 for staying thus.
Q
4.3 Beshrew my hand, and my hart else.
E
4.3 I do wonder at their protraction.
H
4.3 Pray God my whore have not discouer'd herself to
H
4.3 the raskally Boyes, and that be the cause of their stay.
F
4.3 I must sute myself with another Page; this idle Prosaites
F
4.3 will neuer be brought to waite well.
Q
4.3 Sir I have a kinseman I could willingly wish to your
Q
4.3 seruice, if you would deigne to accept of him.
F
4.3 And I shall be glad (most sweet Lady) to imbrace him;
F
4.3 where is he?
Q
4.3 I can fetch him Sir, but I would be loath to make you
Q
4.3 turne away your other Page.
F
4.3 You shall not most sufficient Lady, I will keepe both:
F
4.3 pray you let us go see him.
O
4.3 Whither goes my Loue?
F
4.3 I will returne presently; I go but to see a Page with this Lady.
H
4.3 As sure as Fate it is so; she has opened all:
H
4.3 A poxe of all Cocatrices. Damne me if she have playde
H
4.3 loose with me, I will cut her throate within a hayres bredth, so it
H
4.3 may be heald againe.
B
4.3 What is he Iealous of his Hermaphrodite?
K
4.3 O Aye, this will be excellent sporte.
P
4.3 Phantaste, Argurion, what? you are sodainly stroake
P
4.3 me*thinks; for Gods will let us have some Musique till they
P
4.3 come. Ambition reach the Lyra I pray you.
G
4.3 Any*thing to which my Honor shall direct me.
P
4.3 Come Amorphus; cheare up Phantaste.
E
4.3 It shall be my pride faire Lady to attempt all that is
E
4.3 in my power. But here is an Instrument that (alone) is able to
E
4.3 infuse soule in the most melancholique, and dull disposde
E
4.3 Creature upon earth; O! let me kisse thy faire knees: Beauteous
E
4.3 eares attend it.
G
4.3 Will you have the Kisse Honor.
P
4.3 Aye good Ambition.
U
4.3 O That Ioy so soone should wast!
U
4.3 or so sweet a blisse
U
4.3 as a Kisse,
U
4.3 Might not for*euer last!
U
4.3 So sugred, so melting, so soft, so delicious,
U
4.3 The dew that lyes on Roses,
U
4.3 When the Morne herself discloses,
U
4.3 is not so pretious:
U
4.3 O, rather then I would it smother,
U
4.3 Were I to taste such another;
U
4.3 It should be my wishing
U
4.3 That I might dye kissing.
G
4.3 I made this Ditty and the Note to it upon a kisse that
G
4.3 my Honor gaue me; how like you it Sir.
E
4.3 A pretty Ayre; in generall I like it well. But in particuler,
E
4.3 your long die-Note did arride me most, but it was somwhat
E
4.3 too long: I can shew one, almost of the same nature, but
E
4.3 much before it, and not so long; in a Composition of mine
E
4.3 owne: I think I have both the Note, and Ditty about me.
G
4.3 Pray you Sir see.
E
4.3 Yes there is the Note; and all the parts if I mis-thinke
E
4.3 not. I will reade the Ditty to your Beauties here, but first I am
E
4.3 to make you familiar with the occasion, which presents itself
E
4.3 thus. upon a time, going to take my leaue of the Emperour,
E
4.3 and kisse his great handes; there being then present, the
E
4.3 Kings of Fraunce, and Arragon, the Dukes of Sauoy, Florence,
E
4.3 Orleance, Bourbon, Brunswick, the Lantgraue, Count Palatine, all
E
4.3 which had seuerally feasted me; besides infinite more of inferiour
E
4.3 persons, as Earles, and others: it was my chance (the Emperour
E
4.3 detain'd by some other affayre) to waite him the fifth
E
4.3 part of an houre, or much near it. In which time (retiring myself
E
4.3 into a Bay-window) I encountred the Lady Annabel neice
E
4.3 to the Empresse, and sister to the king of Arragon; who (hauing
E
4.3 neuer before eyde me, but only heard the common report of
E
4.3 my Vertue, Learning, and Trauaile) fell into that extremity of
E
4.3 passion, for my loue, that she there immediatly sounded: Phisitians
E
4.3 were sent for; she had to her chamber; so to her bed; where
E
4.3 (languishing some few daies) after many times calling upon
E
4.3 me, with my name in her mouth, she expirde. As that (I must
E
4.3 needes say) is the only fault of my Fortune, that as it hath euer
E
4.3 been my hap to be sew'd to by all Ladies, and Beauties where
E
4.3 I have come, so, I neuer yet soiourn'd, or rested in that place,
E
4.3 or part of the world, where some great and admirable faire
E
4.3 Creature died not for my loue.
B
4.3 O the sweete power of trauaile, are you guilty of this
B
4.3 Cupid?
K
4.3 No Mercury; and that his page (Cos) knowes, and he were
K
4.3 here present to be sworne.
P
4.3 But how doth this draw on the Ditty Sir.
Q
4.3 O she is too quick with him; he hath not deuis'd that
Q
4.3 yet.
E
4.3 Marry some houre before she departed, she bequeath'd
E
4.3 to me this Gloue; which the Emperour himself tooke
E
4.3 care to send after me, in sixe Coaches, couer'd all with black-veluet,
E
4.3 attended by the state of his Empire; all which he freely
E
4.3 gaue me, and I reciprocally (out of the same bounty) gaue it to
E
4.3 the Lords that brought it: only reseruing, and respecting, the
E
4.3 gift of the deceasde Lady, upon which I compos'd this Ode,
E
4.3 and set it to my most affected Instrument the Lyra.
U
4.3 Thou more then most sweete Gloue,
U
4.3 Vnto my more sweete Loue;
U
4.3 Suffer me to store, with kisses
U
4.3 This empty lodging, that now misses
U
4.3 The pure Rosie hand that ware thee,
U
4.3 Whiter then the Kid that bare thee:
U
4.3 Thou art soft, but that was softer;
U
4.3 Cupids self hath kist it ofter,
U
4.3 Then ere he did his mothers Doues,
U
4.3 Supposing her the Queene of Loues
U
4.3 That was thy Mistris
U
4.3 Best of Gloues.
B
4.3 Blasphemy, Blasphemy Cupid.
K
4.3 Aye, I will reuenge it time inough; Hermes.
P
4.3 Good Amorphus, let us hear it sung.
E
4.3 I care not to do that, since it pleaseth Philautia to request
E
4.3 it.
G
4.3 Here Sir.
E
4.3 Nay play it I pray you, you do well, you do well; how
E
4.3 like you it Sir?
G
4.3 Very well in troath.
E
4.3 But very well? O you are a meere Mammothrept in
E
4.3 iudgement then: why do not not obserue how excellently
E
4.3 the Ditty is affected in euery place? that I do not marry a word
E
4.3 of short quantity, to a long Note, nor an ascending Sillable
E
4.3 to a discending Tone. Besides upon the worde Best there,
E
4.3 you see how I do enter with an odde Minnum, and driue it
E
4.3 thorough the Briefe, which no intelligent Musitian (I know)
E
4.3 but will affirme to be very rare, extraordinary, and pleasing.
E
4.3
B
4.3 And yet not fit to lament the death of a Lady for all
B
4.3 this.
K
4.3 Tut here be they will swallow any*thing.
N
4.3 Pray you let me have a coppy of it Amorphus.
N
4.3
P
4.3 And me too, in troath I like it exceedingly.
E
4.3 I have denyed it to Princes, neuerthelesse to
E
4.3 you (the true Female Twinnes of Perfection) I am wonne
E
4.3 to depart withall.
G
4.3 I hope I shall have my Honors coppy.
N
4.3 You are Ambitious in that Hedon.
E
4.3 How now Anaides? what is it hath coniur'd up this
E
4.3 distemperature in the circle of your face?
H
4.3 'Sblod what have you to do? A pox of God on your
H
4.3 filthy trauailing Beard; hold your tongue.
G
4.3 Nay, dost heare mischiefe?
H
4.3 Away Musk-cat.
E
4.3 I say to thee: Thou art rude, impudent, course, impolisht;
E
4.3 a Frapler, and base.
G
4.3 Heart of my father, what a strange alteration has halfe
G
4.3 a yeeres haunting of Ordinaries wrought in this fellow? that
G
4.3 came with a Tuff-taffata Ierkin to Towne but the other
G
4.3 day, and now he is turn'd Hercules, he wants but a
G
4.3 Club.
H
4.3 Sir, I will garter my hose with your guttes; and that
H
4.3 shall be all.
B
4.3 'Slid what rare fire workes be here? flash,
B
4.3 flash.
N
4.3 What is the matter Hedon? can you tell?
G
4.3 Nothing but that he lacks mony, and thinkes we will lend
G
4.3 him some to be friends.
F
4.3 Come sweete Lady, in good truth I will have it, you shall
F
4.3 not deny me: Morus perswade your Aunt I may have her picture,
F
4.3 by any meanes.
J
4.3 Yes Sir: good Aunt now, let him have it; he will vse
J
4.3 me the better, if you loue me, do good Aunt.
Q
4.3 Well, tell him he shall have it.
J
4.3 Maister, you shall have it, she saies;
F
4.3 Shall I? thanke her good Page.
K
4.3 What has he entertaind the Foole?
B
4.3 Aye, he will waite close you shall see, though the Begger
B
4.3 hang off.
J
4.3 Aunt my maister thankes you.
Q
4.3 Call him hither.
J
4.3 Yes: maister.
Q
4.3 Yes in very truth, and gaue me this Pursse, and he
Q
4.3 has promis'd me a most fine Dog; which he will have drawne
Q
4.3 with my Picture, and desires most vehemently to be knowne
Q
4.3 to your Ladyshipps.
N
4.3 Call him hither, it is good groping such a Gull.
Q
4.3 Maister Asotus. Maister Asotus.
F
4.3 For Gods sake, let me go: you see, I am call'd to the
F
4.3 Ladies.
O
4.3 Wilt thou forsake me then?
F
4.3 Gods son, what would you have me do?
Q
4.3 Come hither maister Asotus; I do ensure your Ladyships,
Q
4.3 he is a Gentleman of a very worthy desart; and of a
Q
4.3 most bountifull nature. You must shew and insinuate yourself
Q
4.3 responsible, and equiualent now to my commendment.
Q
4.3 Good Honors grace him.
F
4.3 I protest (more then most faire Ladyes) I do wish all
F
4.3 variety of diuine pleasure, choyse sport, sweete Musique, ritch Fare,
F
4.3 braue Attyres, soft Beds, and silken Thoughts, attend these fayre
F
4.3 Beauties. Will it please your Ladyship to weare this Chaine of
F
4.3 Pearle, and this Diamond for my sake.
O
4.3 O.
F
4.3 And you Madam this Iewell, and Pendants.
O
4.3 O.
N
4.3 we know not how to deserue these bounties out of
N
4.3 so slight merrit, Asotus.
P
4.3 No in*faith, but there is my Gloue for a fauor.
N
4.3 And soone after the Reuels I will bestowe a Garter
N
4.3 on you.
F
4.3 O Lord Ladyes, it is more grace then euer I could have
F
4.3 hop'd, but that it pleaseth your Ladyships to extend; I protest
F
4.3 it is enough that you but take knowledge of my -- if your
F
4.3 Ladiships want embroydered Gownes, Tyres of any Fashion,
F
4.3 Rebatus, Iewels, or Carkanets, any*thing what*soeuer; if you
F
4.3 vouchsafe to accept.
K
4.3 And for it they will helpe you to Shoo-tyes, and deuises.
F
4.3 I cannot vtter myself (Deare Beauties) but; you can
F
4.3 conceiue --
O
4.3 O.
N
4.3 Sir we will acknowledge your seruice doubt not;
N
4.3 henceforth you shall be no more Asotus to us, but our Golde-Finch,
N
4.3 and we your Cages.
G
4.3 O God Madams, how shall I deserue this? if I were
G
4.3 but made acquainted with Hedon now; I will trye: pray you away.
G
4.3
B
4.3 How he prayes Money to go away from him.
F
4.3 Amorphus, a word with you: here is a Watch I would
F
4.3 bestowe upon you, pray you make me knowne to that Gallant.
E
4.3 That I will Sir. Mounsieur Hedon I must intreate
E
4.3 you to exchange knowledge with this Gentleman.
G
4.3 it is a thing (next to the water we expect) I thirste
G
4.3 after Sir. Good Mounsieur Asotus.
F
4.3 Good Mounsieur Hedon, I would be glad to be
F
4.3 lou'd of men of your Ranke, and spirit, I protest. Please you
F
4.3 to accept this payre of Bracelets Sir, they are not worth the
F
4.3 bestowing.
B
4.3 O Hercules; how the Gentleman purchases? this must
B
4.3 needes bring Argurion to a consumption.
G
4.3 Sir, I shall neuer stand in the merit of such Bounty.
G
4.3 I feare.
F
4.3 O Lord Sir; your acquaintance shall be sufficient.
F
4.3 And if at any time you neede my Bill or my Bond.
O
4.3 O, O.
E
4.3 Helpe the Lady there.
Q
4.3 Gods deare, Argurion. Madam, how do you?
O
4.3 Sicke.
N
4.3 Have her foorth and give her ayre.
F
4.3 I come againe streight Ladyes.
B
4.3 Well, I doubt all the Phisique he has, will scarce recouer
B
4.3 her; she is too farre spent.
Scene 4
P
4.4 O here is the Water come: fetche Glasses Page.
S
4.4 Heart of my body here is a coyle indeed with your
S
4.4 Iealous humors. Nothing but Whore, and Bitch, and all the
S
4.4 villanous swaggering names you can think on? 'Slid take
S
4.4 your Bottle, and put it in your guttes for me, I will see you poxt
S
4.4 ere I follow you any longer?
H
4.4 Nay good Punke, sweete Rascall; damne me if I am
H
4.4 Iealous now.
S
4.4 That is true indeed, pray let us go.
Q
4.4 What is the matter there?
S
4.4 Slight he has me upon Intergatories, (nay my Mother
S
4.4 shall know how you vse me) where I have been? and why
S
4.4 I should stay so long? and how is it possible? and with-all calles
S
4.4 me at his pleasure; I knowe not how many Cocatrices, and
S
4.4 things.
Q
4.4 In truth and sadnesse, these are no good Epithites
Q
4.4 Anaides: to bestow upon any Gentlewoman; and (I will ensure
Q
4.4 you) if I had knowne you would have dealt thus with my
Q
4.4 Daughter, she should neuer have fancied you so deeply, as she
Q
4.4 has done. Go to.
H
4.4 Why do you heare Mother Moria. Heart.
Q
4.4 Nay I pray you Sir do not sweare.
H
4.4 Sweare? why? Sblood I have sworne afore now I
H
4.4 hope. Both you and your daughter mistake me; I have not
H
4.4 honor'd Arete that is helde the worthyest Lady in the Court
H
4.4 (next to Cynthia) with halfe that obseruance and respect, as
H
4.4 I have done her in priuate, howsoeuer outwardly I have carried
H
4.4 myself carelesse and negligent. Come you are a foolish
H
4.4 Punke, and know not when you are well employde. Kisse me.
H
4.4 Come on. Do it I say.
Q
4.4 Nay, indeed I must confesse she is apt to misprision.
Q
4.4 But I must have you leaue it Minion.
E
4.4 How now Asotus? how does the Lady?
F
4.4 Fayth ill. I have left my Page with her at her
F
4.4 lodging.
G
4.4 O here is the rarest Water that euer was tasted; fill
G
4.4 him some.
I
4.4 What? has my Maister a new Page?
B
4.4 Yes a kinsman of the Lady Morias: you must waite
B
4.4 better now, or you are casheer'd Prosaites.
H
4.4 Come Gallants; you must pardon my foolish humor,
H
4.4 when I am angry, that any*thing crosses me, I grow impatient
H
4.4 streight. Here I drinke to you.
P
4.4 O that we had fiue or sixe Bottles more of this liquor.
N
4.4 Now I commend your iudgement Amorphus: who is
N
4.4 that knockes? looke Page.
Q
4.4 O most delicious, a little of this would make Argurion
Q
4.4 well.
N
4.4 O no give her no colde drinke by any meanes.
H
4.4 Sblood, this water is the spirit of Wine, I will be hangd
H
4.4 else.
K
4.4 Here is the Lady Arete Madam.
Scene 5
M
4.5 What at your Bouer Gallants?
Q
4.5 Will it please your Lady-shipp drinke, it is of the new
Q
4.5 fountaine water.
M
4.5 Not I, Moria; I thanke you: Gallants you must prouide
M
4.5 for some solemne Reuels to*night, Cynthia is minded to
M
4.5 come foorth, and grace your sports with her presence; therefore
M
4.5 I could wish there were some*thing extraordinary to entertaine
M
4.5 her.
E
4.5 What say you to a Masque?
G
4.5 Nothing better, if the Inuention or Proiect were new
G
4.5 and rare.
M
4.5 Why, I will send for Criticus, and have his aduise; you
M
4.5 will be ready in your indeuours;
N
4.5 Yes; but will not your Lady-ship stay?
M
4.5 Not now Phantaste.
P
4.5 Let her go, I pray you; good Lady Sobriety, I am glad
P
4.5 we are rid of her.
N
4.5 What a set Face the gentlewoman has, as she were still
N
4.5 going to a Sacrifice?
P
4.5 O she is the extraction of a dozen of Puritans, for a
P
4.5 looke.
Q
4.5 Of all Nimphs in the Court I cannot away with her:
Q
4.5 it is the coursest thing --
P
4.5 I wounder how Cynthia can affect her so above the
P
4.5 rest! Here be they are euery way as faire as she, and a thought,
P
4.5 fayrer, I trow.
N
4.5 Aye, and as ingenious, and conceipted as she.
Q
4.5 Aye and as politique as she, for all she sets such a Fore-head
Q
4.5 on it.
P
4.5 Would I were dead if I would change to be Cynthia.
N
4.5 Or I.
Q
4.5 Or I.
E
4.5 And there is her Minion Criticus; why his aduise
E
4.5 more then Amorphus? have I not Inuention, afore him?
E
4.5 Learning, to better that Inuention, above him? and Trauaile.--
H
4.5 Death, what talke you of his Learning? he vnderstands
H
4.5 no more then a schoole-Boy; I have put him downe myself
H
4.5 a thousand times (by this Ayre) and yet I neuer talkt with
H
4.5 him but twise in my life; you neuer saw his like: I could neuer
H
4.5 get him to argue with me, but once, and then because I could
H
4.5 not construe, a peece of Horace at first sighte, he went awaye
H
4.5 and laught at me. By Gods will, I scorne him, as I do the
H
4.5 sodden Nimph that was here even now; his mistris Arete:
H
4.5 And I loue myself for nothing else.
G
4.5 I wonder the Fellow does not hang himself, being
G
4.5 thus scorn'd, and contemn'd of us that are held the most accomplisht
G
4.5 Society of Gallants!
B
4.5 By your*selves none else.
G
4.5 I protest, if I had no Musique in me, no Courtship;
G
4.5 that I were not a Reueller and could daunce, or had not those
G
4.5 excellent qualities that give a man Life, and Perfection,
G
4.5 but a meere poore Scholler as he is, I think I should make
G
4.5 some desperate way with myself; whereas now (would I
G
4.5 might neuer breath more) if I do know that Creature in this
G
4.5 kingdome, with whom I would change.
K
4.5 This is excellent: well I must alter this soone.
B
4.5 Looke you do Cupid.
F
4.5 O I shall tickle it soone; I did neuer appeare till then.
F
4.5 Slid I am the neatliest-made Gallant in the company, and have the
F
4.5 best presence; and my dauncing -- I know what the Vsher
F
4.5 saide to me the last time I was at the schoole; would I might
F
4.5 leade Philautia in the measure, if it were gods will. I am most
F
4.5 worthy, I am sure.
J
4.5 Maister I can tell you newes, the Lady kist me yonder,
F
4.5 to accept this poore Ruby in a Ring Sir. The poesie is of my
F
4.5 owne deuise. Let this blush for me Sir.
H
4.5 So it must for me, too. For I am not asham'd to
H
4.5 take it.
J
4.5 Sweete man, by my troath maister I loue you;
J
4.5 will you loue me too? for my Aunts sake? I will waite well you
J
4.5 shall see, I will still be here. Would I might neuer stirre, but you
J
4.5 are in gay clothes.
F
4.5 As for that Morus, thou shalt see more here*after, in
F
4.5 the meanetime, by this Ayre, or by this Fether, I will do as much
F
4.5 for thee as any Gallant shall do for his Page whatsoeuer, in this
F
4.5 Court, corner of the world, or Kingdome.
B
4.5 I wounder this gentleman should affect to
B
4.5 keepe a Foole, me*thinks he makes sport enough with himself.
K
4.5 Well Prosaites it were good you did waite closer.
I
4.5 Aye, I will looke to it; it is time.
R
4.5 we are like to have sumptuous Reuells to*night
R
4.5 Sirs.
B
4.5 we must needes when all the choisest Singularities
B
4.5 of the Court are up in Pantofles, never a one of them, but is able
B
4.5 to make a whole shew of itself.
G
4.5 Sirah a Torch, a torch.
B
4.5 O what a call is there? I will have a Canzonet
B
4.5 made with nothing in it but Sirah; and the Burthen shall be. I
B
4.5 come.
Scene 6
D
4.6 --. A masque, bright Arete?
D
4.6 Why it were a labour more for Hercules.
D
4.6 Better, and sooner durst I vndertake:
D
4.6 To make the different seasons of the Yeere,
D
4.6 The Windes, or Elements to sympathize;
D
4.6 Then their vnmeasurable vanity
D
4.6 Daunce truely in a measure: They agree?
D
4.6 What though all Concord is borne of Contraries?
D
4.6 So many Follies will confusion prooue,
D
4.6 And like a sort of iarring Instruments,
D
4.6 All out of tune; because (indeed) we see
D
4.6 There is not that Analogy twixt Discords,
D
4.6 As betweene things but meerely opposite.
M
4.6 There is your error; for as Hermes wande
M
4.6 Charmes the disorders, of tumultuous Ghosts,
M
4.6 And as the strife of Chaos then did cease,
M
4.6 When better light then Natures did arriue;
M
4.6 So, what could neuer in itself agree,
M
4.6 Forgetteth the eccentrick property,
M
4.6 And at her sight turnes foorth with regular,
M
4.6 Whose scepter guides the flowing Ocean:
M
4.6 And though it did not, yet the most of them
M
4.6 (Being either Courtiers, or not wholy rude)
M
4.6 Respect of Maiesty, the Place, and Presence,
M
4.6 Will keepe them within Ring; especially
M
4.6 When they are not presented as themselves,
M
4.6 But masqu'd like others: for (in troth) not so
M
4.6 To incorporate them, could be nothing else
M
4.6 Then like a State vngouern'd, without lawes; or
M
4.6 A body made of nothing but diseases;
M
4.6 The one, through impotencie poore, and wretched;
M
4.6 The other for the Anarchy absurd.
D
4.6 But Lady, for the Reuellers themselves;
D
4.6 It would be better (in my poore conceipt,)
D
4.6 That others were imploy'd; for such as are
D
4.6 Vnfit to be in Cynthias Court, can seeme
D
4.6 No lesse vnfit to be in Cynthias sports.
M
4.6 That is not done (my Criticus) without
M
4.6 Particular knowledge of the Goddesse minde;
M
4.6 Who (holding true intelligence, what Follyes
M
4.6 Had crept into her Pallace) she resolud',
M
4.6 Of sports, and Triumphs; under that pretext,
M
4.6 To have them muster in their Pompe and Fulnesse:
M
4.6 That so she might more strictly, and to roote,
M
4.6 Effect the Reformation she intends.
D
4.6 I now conceiue her heauenly drift in all;
D
4.6 And will apply my spirits to serue thy will:
D
4.6 O thou, the very power by which I am;
D
4.6 And but for which, it were in vaine to be;
D
4.6 Chiefe next Diana, Virgin, heauenly fayre,
D
4.6 Admired Arete, (of them admir'd
D
4.6 Whose soules are not enkindled by the sence)
D
4.6 Disdeigne not my chast fire, but feed the flame
D
4.6 Deuoted truely to thy gracious name.
M
4.6 Leaue to suspect us: Criticus shall finde
M
4.6 As we are now most deare, we will prooue most kinde.
M
4.6 Harke, I am cald.
D
4.6 I follow instantly,
D
4.6 Pho*ebus Apollo: if with ancient Rites,
D
4.6 And due Deuotions, I have euer hung
D
4.6 Elaborate Pa*eans on thy golden Shrine,
D
4.6 Or sung thy Triumphs in a lofty straine;
D
4.6 Fit for a Theater of Gods to heare:
D
4.6 And thou the other sonne of mighty Ioue
D
4.6 Cyllenian Mercury (sweete Maias ioye)
D
4.6 If in the busie tumults of the minde,
D
4.6 My path thou euer hast illumined:
D
4.6 For which, thine Altars I have oft perfum'de,
D
4.6 And deckt thy Statue with discoulored flowers:
D
4.6 Now thriue Inuention in this glorious Court,
D
4.6 That not of bounty only, but of right,
D
4.6 Cynthia may grace, and give it life by sight.
Act 5
Scene 1
C
5.1 Qveene and Huntresse, chaste, and fayre,
C
5.1 Now the Sunne is layde to sleepe,
C
5.1 Seated, in thy siluer Chayre,
C
5.1 State in wonted maner keepe:
C
5.1 Hesperus, intreats thy light,
C
5.1 Goddesse excellently bright.
C
5.1 Earth, let not thy enuious shade
C
5.1 Dare itself to interpose;
C
5.1 Cynthias shining Orbe was made
C
5.1 Heauen to cleare, when day did close:
C
5.1 Blesse us then with wished sight,
C
5.1 Goddesse excellently bright.
C
5.1 Lay thy Bowe of Pearle apart.
C
5.1 And thy Christall-shining Quiuer;
C
5.1 Give vnto the flying Hart,
C
5.1 Space to breath, how short soeuer.
C
5.1 Thou, that makst a day of night,
C
5.1 Goddesse excellently Bright.
A
5.1 When hath Diana, like an enuious wretch,
A
5.1 That glitters only to his soothed self,
A
5.1 Denying to the world the precious vse
A
5.1 Of hoorded wealth, with-held her friendly ayde?
A
5.1 Mon'thly we spend our still-repaired shine,
A
5.1 And not forbid our Virgin-waxen torch,
A
5.1 To burne, and blaze while nutriment doth last:
A
5.1 That once consum'd, out of Ioues treasury
A
5.1 Anew we take, and stick it in our Spheare
A
5.1 To give the mutinous kinde of wanting men,
A
5.1 Their lookt for light. Yet what is their desert?
A
5.1 "Bounty is wrong'd, interpreted as due;
A
5.1 "Mortalls can chalenge not a Ray but right.
A
5.1 "Yet do exspect the whole of Cynthias light:
A
5.1 But if that Deities with-drew their guifts,
A
5.1 For humane Follies, what should men deserue
A
5.1 But Death and Darknesse? It behoues the high,
A
5.1 For their owne sakes to do things worthely.
M
5.1 Most true, most sacred goddesse; for the Heauens
M
5.1 Receiue no good of all the good they do:
M
5.1 Nor Ioue, nor you, nor other heauenly Power,
M
5.1 Are fed with Fumes, which do from Incense rise,
M
5.1 Or Sacrifices reeking in their gore:
M
5.1 Yet for the care which you of mortalls have,
M
5.1 (Whose proper Good it is, that they be so;)
M
5.1 You well are pleas'd with Odours redolent:
M
5.1 But ignorant is all the Race of men,
M
5.1 Which still complaines, not knowing why, or when.
A
5.1 Else noble Arete, they would not blame,
A
5.1 And taxe for or vniust, or for as proud
A
5.1 Thy Cynthia, in the things which are indeed
A
5.1 The greatest glories in our starry crowne:
A
5.1 Such is our Chastity, which safely scornes,
A
5.1 Not Loue (for who more feruently doth loue
A
5.1 Immortall Honor, and diuine Renowne?)
A
5.1 But giddy Cupid, Venus frantick sonne.
A
5.1 Yet Arete, if by this vayled light
A
5.1 We but discouer'd (what we not discerne)
A
5.1 Any the least of imputations, stand
A
5.1 Ready to sprinkle our vnspotted fame,
A
5.1 With note of lightnesse, from these Reuels neare:
A
5.1 Not, for the Empire of the Vniuerse
A
5.1 Should Night or Court, this whatsoeuer shine
A
5.1 Or grace of ours, vnhappely enioy.
A
5.1 "Place, and Occasion are two priuy Thieues;
A
5.1 "And from poore innocent Ladies, often steale
A
5.1 "(The best of things) an honourable Name:
A
5.1 "To stay with Follyes, or where Faults may be,
A
5.1 "Infers a Crime, although the party free.
M
5.1 How Cynthianly (that is how worthely
M
5.1 And like herself) the matchlesse Cynthia speakes!
M
5.1 Infinite Iealousies, infinite Reguards,
M
5.1 Do watch about the true virginity:
M
5.1 But Pho*ebe liues from all not only fault,
M
5.1 But as from thought, so from suspicion free,
M
5.1 Thy Presence broad-seales our delights for pure,
M
5.1 What is done in Cynthias sight, is done secure.
A
5.1 That then so answer'd (Dearest Arete)
A
5.1 What the Argument, or of what sort, our Sports
A
5.1 Are like to be this night; I not demaund.
A
5.1 Nothing which Duty, and desire to please
A
5.1 Beares written in the forehead, comes amisse;
A
5.1 But vnto whose Inuention, must we owe,
A
5.1 The complement of this nights furniture?
M
5.1 Excellent Goddesse, to mans, whose worth,
M
5.1 (Without Hyperbole,) I thus may praise;
M
5.1 One (at least) studious, of deseruing well:
M
5.1 And (to speake truth) indeed deseruing well,
M
5.1 Potentiall merit stands for actuall,
M
5.1 Where only Opportunity doth want,
M
5.1 Not Will, nor Power: both which in him abound,
M
5.1 One whom the Muses, and Minerua loue;
M
5.1 For whom should they more loue then Criticus,
M
5.1 Whom Pho*ebus (though not Fortune) holdeth deare?
M
5.1 And (which conuinceth excellence in him,)
M
5.1 A principall admirer of yourself:
M
5.1 Even, through the vngentle iniuries of Fate,
M
5.1 And difficulties, which do vertue choake,
M
5.1 Thus much of him appeares. What other things
M
5.1 Of farther note, do lye vnborne in him,
M
5.1 Them I do leaue for cherishment to shew.
M
5.1 And for a Goddesse graciously to iudge.
A
5.1 We have already iudg'd him Arete:
A
5.1 Nor are we ignorant, how noble mindes
A
5.1 Suffer too much through those indignities,
A
5.1 Which Times, and vicious Persons cast on them:
A
5.1 Ourself have euer vowed to esteeme
A
5.1 (As Vertue, for itself) so Fortune, base;
A
5.1 Who first in Worth, the same be first in Place.
A
5.1 Nor farther notice (Arete) we craue
A
5.1 Then thine approualls soueraigne warranty:
A
5.1 Let, be thy care, to make us knowne to him;
A
5.1 Cynthia shall brighten what the World made dim.
Scene 2
K
5.2 Cleare Pearle of Heauen, and not to be farther ambitious in
K
5.2 titles Cynthia. The fame of this illustrious night, among others
K
5.2 hath also drawne these foure faire Virgins from the Pallace of their
K
5.2 Queene Perfection (a word, which makes no sufficient difference,
K
5.2 twixt hers, and thine) to visit thy Imperiall Court: for she their Soueraigne
K
5.2 Lady, not finding where to dwel among men, before her returne
K
5.2 to heauen: aduised them wholy to consecrate themselves to thy Co*elestiall
K
5.2 seruice, as in whose cleare Spirit (the proper Element, and Sphare
K
5.2 of vertues) they should behould not her alone, (their euer honor'd
K
5.2 Mistresse) but themselves (more truely themselves) to liue enthronised.
K
5.2 Herself would have commended them vnto thy fauour
K
5.2 more particularly, but that she knowes no commendation is more auailable
K
5.2 with thee then that of proper vertue: Neuerthelesse, she wilde
K
5.2 them to present this Christall Mound, a note of Monarchy, and
K
5.2 Symbole of Perfection, to thy more worthy Deity; which as here by
K
5.2 me they most humbly do, so amongst the Rarities thereof, that is the
K
5.2 chiefe, to shew whatsoeuer the world hath excellent, howsoeuer remote
K
5.2 and various. But your irradiate iudgement will soone discouer
K
5.2 the secrets of this little Christall world. Themselves (to appeare
K
5.2 the more plainly) because they know nothing more odious then false
K
5.2 pretexts: have chosen to expresse their seuerall qualities thus in seuerall
K
5.2 coulors.
K
5.2 1 The first in Citron coullour is naturall Affection, which given
K
5.2 us to procure our good, is sometime called Storge, and as euery*one is
K
5.2 neerest to himself, so this Hand-maid of Reason, allowable Selfe-loue,
K
5.2 as it is without harme, so are none without it: Her place in the Court
K
5.2 of Perfection was to quicken mindes in the pursute of Honor. her
K
5.2 deuice is a Perpendicular Leuell upon a, Cube or Square. The
K
5.2 word, SE SVO MODVLO: alluding to that true measure
K
5.2 of ones self, which as euery*one ought to make, so is it most conspicuous
K
5.2 in thy diuine example.
K
5.2 2 The second in Greene is Aglaia, delectable and pleasant Conuersation,
K
5.2 whose property it is to mooue a kindly delight, and sometime
K
5.2 not without laughter: Her office to entertaine assemblies, and keepe
K
5.2 societies together with fayre familliarity. Her deuice within a Ring
K
5.2 of clouds, a Heart with shine about it, the worde, CVRARVM NVBILA PELLO.
K
5.2 An Allegory of Cynthias light,
K
5.2 which no lesse cleares the Skie, then her fayre Mirthe the heart.
K
5.2 3 The third, in discoulour'd Mantle spangled all over, is Euphantaste,
K
5.2 a well conceited Wittinesse, and imployde in honouring
K
5.2 the Courte with the ritches of her pure Inuention. Her deuice upon
K
5.2 a Petasus, or Mercuriall Hat, a Crescent. The worde; SIC LAVS INGENII:
K
5.2 Inferring that the praise and glory of
K
5.2 Wit, doth euer increase, as doth thy growing Moone.
K
5.2 4 The fourth in White is Apheleia, a Nymph as pure and simple
K
5.2 as the Soule, or as an abrase Table, and is therefore called Symplicity;
K
5.2 without foulds, without pleights, without coullour, without counterfeit;
K
5.2 and (to speake plainely) Plainenesse itself. Her deuice is no Deuice.
K
5.2 The word under her siluer Shield: OMNIS ABEST FVCVS,
K
5.2 alluding to thy spotlesse self, who art as farre from Impurity,
K
5.2 as from Mortality.
K
5.2 Myself (Co*elestiall Goddesse) more fit for the Court of Cynthia,
K
5.2 then the Arbors of Cythere, am call'd Anteros, or Loues enemy;
K
5.2 the more welcome therefore to thy Court, and the fitter to conduct
K
5.2 this Quaternio, who as they are thy professed Votaries, and for that
K
5.2 cause aduersaries to Loue, yet thee (perpetuall Virgin) they both
K
5.2 loue, and vow to loue eternally.
Scene 3
A
5.3 Not without wounder, nor with*out delight,
A
5.3 Mine eyes have veiwd in Contemplations depth,
A
5.3 This worke of wit, diuine, and excellent:
A
5.3 What Shape? what Substance? or what vnknowne Power
A
5.3 In virgins habit crown'd with Lawrell leaues
A
5.3 And Oliue branches wouen in betweene,
A
5.3 On Sea-girt Rocke like to a Goddesse shines?
A
5.3 O front! O face! O all celestiall sure
A
5.3 And more then mortall! Arete, behould
A
5.3 Another Cynthia, and another Queene,
A
5.3 Whose glory (like a lasting Plenilune)
A
5.3 Seems ignorant of what it is to wane.
A
5.3 Not under heauen an Obiect could be found
A
5.3 More fit to please; let Criticus approach,
A
5.3 Bounty forbids to paull our thankes with stay,
A
5.3 Or to deferre our fauour after view:
A
5.3 The time of Grace is, when the Cause is new.
M
5.3 Lo here the man (co*elestiall Delia)
M
5.3 Who (like a Circle bounded in itself,)
M
5.3 Containes as much, as Man in fulnesse may,
M
5.3 Lo here the man; who, not of vsuall earth,
M
5.3 But of that nobler, and more precious mould
M
5.3 Which Pho*ebus self doth temper, is compos'd;
M
5.3 And, who (though all were wanting to reward,
M
5.3 Yet, to himself he would not wanting be:
M
5.3 Thy Fauors gaine is his Ambitions most,
M
5.3 And labours best; who (humble in his height)
M
5.3 Stands fixed silent in thy glorious sight.
A
5.3 With no lesse pleasure, then we have beheld,
A
5.3 This pretious Christall, worke of rarest wit,
A
5.3 Our eye doth reade thee, now, our Criticus;
A
5.3 Whom Learning, Vertue, and our Fauour last,
A
5.3 Exempteth from the gloomy Multitude.
A
5.3 With common eye the Supreme should not see,
A
5.3 Hence*forth be ours, the more thyself to be.
D
5.3 Heauens purest light, whose Orbe may be eclips'd,
D
5.3 But not thy Praise; (diuinest Cynthia)
D
5.3 How much too narrow for so high a grace,
D
5.3 Thy (saue therein) vnworthy Criticus:
D
5.3 Doth finde himself? for*euer shine thy Fame;
D
5.3 Thine Honours euer, as thy Beauties do;
D
5.3 In me they must, my darke worldes chiefest Lights;
D
5.3 By whose propitious beames my powres are rais'd
D
5.3 To hope some part of those most lofty points.
D
5.3 Which blessed Arete hath pleas'd to name
D
5.3 As markes, which my 'ndeuors steps should bend:
D
5.3 Mine, as begunne at thee, in thee must end.
Scene 4
B
5.4 Sister of Pho*ebus to whose bright Orbe we owe, that we not
B
5.4 complaine of his Absence; These foure Brethren (for they are Brethren
B
5.4 and sonnes of Eutaxia, a Lady knowne, and highly belou'd of your
B
5.4 resplendent Deity) not able to be absent, when Cynthia held a solemnity,
B
5.4 officiously insinuate themselves into thy presence: For as there are
B
5.4 foure Cardinall vertues, upon which the whole Frame of the Court
B
5.4 doth mooue, so are these the foure Cardinall properties without which
B
5.4 the Body of Complement mooueth not. With those foure siluer Iauelins
B
5.4 (which they beare in their hands) they support in Princes Courts the
B
5.4 state of the Presence, as by office they are obliged; which though here
B
5.4 they may seeme superfluous, yet for Honors sake they thus presume to
B
5.4 visite thee, hauing also been imployde in the Pallace of Queene Perfection.
B
5.4 And though to them, that would make themselves gratious
B
5.4 to a Goddesse, Sacrifices were fitter then Presents or Impresses, yet
B
5.4 they both hope thy fauor, and (in place of either) vse seuerall Symboles
B
5.4 containing the titles of thy imperiall Dignity.
B
5.4 1 The hithermost in the changeable blew, and greene Roabe, is
B
5.4 the commendably-fashionate Gallant Eucosmos, whose Courtly Habit
B
5.4 is the grace of the Presence, and delight of the surueying eye: whom
B
5.4 Ladies vnderstand by the names of Neate, and Elegant. His Symbol
B
5.4 is DIVA E VIRGINI, in which he would expresse thy Deities
B
5.4 principall glory, which hath euer been Virginity.
B
5.4 2 The second in the ritch Acoutrement, and Roabe of Purple
B
5.4 empaled with Gold, is Eupathes; who intertaines his minde with an
B
5.4 harmlesse, but not incurious variety: All the Obiects of his sences are
B
5.4 Sumptuous, himself a Gallant, that without excesse can make vse of
B
5.4 superfluities: go ritchly in Imbroyders, Iewels, (and what not?) without
B
5.4 Vanity; and fare delicately without Gluttony: and therefore (not
B
5.4 without cause) is vniuersally thought to be of fine humor. His Symbole
B
5.4 is DIVA E OPTIMA*E. An attribute to expresse thy
B
5.4 Goodnesse in which thou so resemblest Ioue thy father.
B
5.4 3% The third in the blush-collourd Sute is Eutolmos, as duly
B
5.4 respecting others, as neuer neglecting himself; commonly knowne by
B
5.4 the title of Good Audacitie, to Courts and courtly assemblies, a guest
B
5.4 most acceptable. His Simbole is DIVA E VIRAGINI, To
B
5.4 expresse thy hardy Courage, in chase of Sauage beasts which harbor
B
5.4 in Woods, and Wildernesse.
B
5.4 4% The fourth in Watchet-Tinsell, is the kinde, and truly Benefique
B
5.4 Eucolos. Who imparteth not without respect, but yet without
B
5.4 difficulty: and hath the happinesse to make euery kindnesse seeme double,
B
5.4 by the timely, and freely bestowing thereof, he is the chiefe of them
B
5.4 who (by the vulgar) are said to be of Good Nature. His Symbole is
B
5.4 DIVA E MAXIMA*E, An Adiunct to signifie thy greatness,
B
5.4 which in heauen, earth, and hell is formidable.
Scene 5
K
5.5 Is not that Amorphus the Traueller?
B
5.5 As though it were not? do you not see how his legges
B
5.5 are in trauaile with a Measure?
K
5.5 Hedon, thy maister is next.
B
5.5 What will Cupid turne Nomenclator, and cry them?
K
5.5 No faith, but I have a Comedy toward, that would not
K
5.5 be lost for a kingdome.
B
5.5 In good time, for Cupid will prooue the Comedy.
K
5.5 Mercury, I am studying how to match them.
B
5.5 such an Antiperistasis about the place, that no heate of thine
B
5.5 will tarry with the Patient.
K
5.5 It will tarry the rather, for the Antiperistasis will keep it in.
B
5.5 I long to see the experiment.
K
5.5 Why their marrow boyles already, or they are all turnd
K
5.5 Eunuchs.
B
5.5 Nay if it be so, I will give over speaking, and be a Spectator
B
5.5 only.
E
5.5 Cynthia (by my bright soule) is a right exquisite, and
E
5.5 spendidious Lady; yet Amorphus I think hath seene more fashions,
E
5.5 I am sure more Countries; but whether I have or no:
E
5.5 what need we gaze on Cynthia, that have ourself to admire?
N
5.5 O excellent Cynthia; yet if Phantaste sat where she
N
5.5 does, and had such a tyre on her head (for attire can do much) I
N
5.5 say no more; but Goddesses are Goddesses, and Phantaste is as she
N
5.5 is. I would the Reuels were done once, I might go to my
N
5.5 Schoole of Glasse againe, and learne to do myself right after
N
5.5 all this Ruffling.
B
5.5 How now Cupid? here is a wonderfull change with
B
5.5 your Brandish? do you not heare, how they doate?
K
5.5 What Prodigie is this? no Word of Loue? no Mention?
K
5.5 no Motion?
B
5.5 Not a word my little Hell-fire, not a worde.
K
5.5 Are my Darts enchanted? is their vigor gone? is their
K
5.5 vertue --
B
5.5 What? Cupid turn'd iealous of himself? ha, ha, ha.
K
5.5 Laughes Mercury?
B
5.5 Is Cupid angry?
K
5.5 Hath he not cause, when his purpose is so deluded?
B
5.5 A rare Comedy, it shall be intitled; Cupids.
K
5.5 Do not scorne us Hermes.
B
5.5 Chollar and Cupid are two fiery things; I scorne them
B
5.5 not. But I see that come to passe which I presag'd in the beginning.
K
5.5 You cannot tell: perhaps the Phisicke will not worke
K
5.5 so soone upon some, as upon others. It may be the Rest are not
K
5.5 so resty.
B
5.5 Ex vngue, you know the old Adage; as these, so are the
B
5.5 remainder.
K
5.5 I will trye: this is the same Shafte with which I wounded
K
5.5 Argurion.
B
5.5 Aye, but let me saue you a labour Cupid: there were certaine
B
5.5 Bottles of Water fetcht, and drunke off, (since that time,)
B
5.5 by these Gallants.
K
5.5 Ioue strike me into earth: The Fountaine of Selfe-loue?
B
5.5 Nay faint not Cupid.
K
5.5 I remembred it not.
B
5.5 Faith it was omenous to take the name of Anteros
B
5.5 upon you, you know not what Charme or Inchantment lyes in
B
5.5 the worde: you saw I durst not venter upon any Deuise in our
B
5.5 presentment: but was content to be no other then a simple
B
5.5 Page. Your Arrowes properties (to keepe decorum) Cupid, are
B
5.5 suted (it should seeme) to the nature of him you personate.
K
5.5 Indignity not to be borne.
B
5.5 Nay rather an attempt to have been forborne.
K
5.5 How might I reuenge myself on this insulting Mercury?
K
5.5 there is Criticus his Minnion: he has not tasted of this water?
K
5.5 it shall be so.
K
5.5 Is Criticus turn'd Dotard on himself too?
B
5.5 That followes not, because the venome of your shafts
B
5.5 cannot pierce him.
K
5.5 As though there were one Antidote for these, and another
K
5.5 for him?
B
5.5 As though there were not? or as if one Effect might
B
5.5 not arise of diuerse causes? what say you to Cynthia, Arete,
B
5.5 Phronesis, TimE, and others there?
K
5.5 They are diuine.
B
5.5 And Criticus aspires to be so.
K
5.5 But that shall not serue him.
B
5.5 It is like to do prettily well at this time. But Cupid is
B
5.5 growne too couetous, that will not spare one of a Multitude.
K
5.5 One is more then a Multitude.
B
5.5 Aretes fauour makes any*one shot proofe against
B
5.5 thee Cupid.
B
5.5 I pray thee light Hony-Bee, remember thou art not now in
B
5.5 Adonis garden, but in Cynthias presence, where thornes lye in
B
5.5 garrison about the Roses. Soft Cynthia speakes.
A
5.5 Ladyes and gallants,
A
5.5 To give a timely period to our sports,
A
5.5 Let us conclude them, with declining night;
A
5.5 Our Empire is but of the darker halfe:
A
5.5 And if you iudge it any recompence;
A
5.5 For your faire paines, to have earned Dianas thanks;
A
5.5 Diana grants them: and bestowes their crowne
A
5.5 To gratefie your acceptable Zeale.
A
5.5 For you are they, that not (as some have done)
A
5.5 Do censure us, as too seuere, and sower,
A
5.5 But as (more rightly) Gratious to the Good;
A
5.5 Although we not deny, vnto the Proud,
A
5.5 Or the Prophane, perhaps indeed austere:
A
5.5 For so Acta*eon by presuming farre,
A
5.5 Did (to our griefe) incurre a fatall doome;
A
5.5 And so, swolne Niobe (comparing more
A
5.5 Then he presum'd) was tropha*ed into stone.
A
5.5 But are we therefore iudged too extreame?
A
5.5 Seemes it no Crime to enter sacred Bowers,
A
5.5 And hallowed Places with impure aspect
A
5.5 Most lewdly to pollute? Seemes it no crime,
A
5.5 To braue a Deity? let Mortalls learne
A
5.5 To make Religion of offending Heauen;
A
5.5 And not at all to censure powers diuine:
A
5.5 To Men, this Argument should stand for firme,
A
5.5 "A Goddesse did it; therefore it was good.
A
5.5 "We are not cruell, nor delight in blood.
A
5.5 But what have serious Repetitions
A
5.5 To do with Reuels, and the sports of Court?
A
5.5 We not intend to sowre your late delights
A
5.5 With harsh expostulation; Let suffice
A
5.5 That we take notice, and can take reuenge
A
5.5 Of these calumnious, and lewd Blasphemies;
A
5.5 For we are no lesse Cynthia, then we were,
A
5.5 Nor is our Power (but as our Self) the same:
A
5.5 Though we have now put on no tyre of shine
A
5.5 But mortall eyes vndazled may endure.
A
5.5 "Yeares, are beneath the Sphears; and Time makes weake,
A
5.5 "Things under Heauen; not Powers which gouerne Heauen:
A
5.5 And though our Self be in ourself, secure,
A
5.5 Yet let not mortalls challenge to themselves
A
5.5 Immunity from thence; Loe this is all:
A
5.5 "Honor hath store of spleene, but wanteth Gall.
A
5.5 Once more, we cast the slumber of our thankes
A
5.5 On your tane toyle, which here let take an end:
A
5.5 And that we not mistake your seuerall worths,
A
5.5 Nor you our Fauour; from your*selves remooue,
A
5.5 What makes you not your*selves; those clouds of Masque:
A
5.5 "Particular paines, particular thankes do aske.
A
5.5 -- Are we contemn'd?
A
5.5 Is there so little awe of our Disdeigne,
A
5.5 That any (under trust of their disguise)
A
5.5 Should mixe themselves with others of the Court?
A
5.5 And (without forhead) bouldly presse so farre,
A
5.5 As farther none? How apt is Lenity
A
5.5 To be abus'd? Seuerity to be loath'd?
A
5.5 And yet, how much more doth the seeming Face
A
5.5 Of neighbor Vertues, and their borrowed Names,
A
5.5 Adde of lewd Bouldnesse to loose Vanities?
A
5.5 Who would have thought that Philautia durst,
A
5.5 Or have vsurped noble Storge's name?
A
5.5 Or with that theft have ventred on our eyes?
A
5.5 Who would have thought that all of them should hope,
A
5.5 So much of our conniuence, as to come
A
5.5 To grace themselves, with Titles not their owne?
A
5.5 Insteed of Medicines have we Maladies?
A
5.5 And such Impostumes, as Phantaste is,
A
5.5 Grow in our Pallace? we must lance these sores,
A
5.5 Or all will putrifie: Nor are these all,
A
5.5 For we suspect a farder fraud then this;
A
5.5 Take off our vaile, that shadows may depart,
A
5.5 And shapes appeare, beloued Arete. So.
A
5.5 Another Face of things presents itself
A
5.5 Then did of late: what? Featherd Cupid masqu'd?
A
5.5 And masqu'd like to Anteros? but, more strange!
A
5.5 Deare Mercury our Brother, like a Page,
A
5.5 To countenance the ambush of the Boy?
A
5.5 Nor endeth our discouery as yet;
A
5.5 Gelaia like a Nymph, that but ere while
A
5.5 (In male attire) did serue Anaides?
A
5.5 Cupid came hither to finde sport and Game,
A
5.5 Who, here*tofore hath been too conuersant
A
5.5 Among our traine; but neuer felt Reuenge:
A
5.5 And Mercury bare Cupid company:
A
5.5 Cupid, we must confesse this Time of mirth
A
5.5 (Proclaimd by us) gaue Opportunity,
A
5.5 To thy attempts, although no Priuiledge;
A
5.5 Tempt us no farther, we cannot endure
A
5.5 Thy presence longer: Vanish, Hence, Away.
A
5.5 You Mercury, we must intreate to stay,
A
5.5 And heare what we determine of the rest;
A
5.5 For in this Plot, you have the deepest hand:
A
5.5 But (for we meane not a Censorian tasque
A
5.5 And yet to lance these vlcers growne so ripe)
A
5.5 Deare Arete, and Criticus, to you
A
5.5 We give the charge; Impose what paines you please:
A
5.5 The incurable cut off, the rest reforme;
A
5.5 Remembring euer what we first decreed,
A
5.5 Since Reuels were proclaimed, Let now none bleede.
M
5.5 How well Diana can distinguish Times?
M
5.5 And sort her Censures? keeping to herself
M
5.5 The doome of Gods, leauing the rest to us?
M
5.5 Come, cite them Criticus and then proceede.
D
5.5 First Philautia (for she was the first)
D
5.5 Then light Gelaia, in Aglaias name,
D
5.5 Thirdly Phantaste, and Moria next,
D
5.5 Mayne follies all, and of the Female crue;
D
5.5 Amorphus, or Eucosmos counterfet,
D
5.5 Voluptuous Hedon ta'ne for Eupathes,
D
5.5 Brazen Anaides, and Asotus last,
D
5.5 With his two Pages Morus, and Prosaites;
D
5.5 And thou the Trauailers Euill, Cos, appraoch,
D
5.5 Impostors all, and male Deformities.
M
5.5 Nay forward, for I delegate my power,
M
5.5 And will, that at thy mercy they do stand
M
5.5 Whom they so oft, so plainely scornd before:
M
5.5 It is vertue which they want, and wanting it,
M
5.5 Honour no garment to their backes can fit.
M
5.5 Now Criticus, vse your Discretion.
D
5.5 Adored Cynthia, and bright Arete,
D
5.5 Another might seeme fitter for this tasque
D
5.5 Then Criticus, but that you iudge not so:
D
5.5 For I (not to appeare vindicatiue,
D
5.5 Or mindfull of Contempts, which I contemn'd
D
5.5 As done of Impotence) must be remisse;
D
5.5 Who as I was the Author in some sort,
D
5.5 To worke their knowledge into Cynthias sight,
D
5.5 So should be much seuerer to reuenge
D
5.5 The indignity, hence issuing to her Name:
D
5.5 But there is not one of these, who are vnpaind,
D
5.5 Or by themselves vnpunished; for Vice
D
5.5 Is like a fury to the vitious minde,
D
5.5 And turnes Delight itself to Punishment.
D
5.5 But we must forward to define their Doome;
D
5.5 You are Offenders, that must be confest.
D
5.5 Do you confesse it?
X
5.5 we do.
D
5.5 And that you merit sharpe Correction?
X
5.5 we do.
D
5.5 Then we (reseruing vnto Delias grace,
D
5.5 Her farther pleasure, and to Arete
D
5.5 What Delia graunteth) thus do sentence you.
D
5.5 That from this place (for Penance knowne of all,
D
5.5 Since you have drunke so deeply of Selfe-loue)
D
5.5 You (two and two singing a Palinode,
D
5.5 March to your seuerall homes by Niobes stone,
D
5.5 And offer up two tears a*piece thereon;
D
5.5 That it may change the name, as you much change,
D
5.5 And of a stone be called Weeping Crosse:
D
5.5 Because it standeth crosse of Cynthias way,
D
5.5 One of whose names is sacred TRIVIA.
D
5.5 And after penance thus perform'd, you passe
D
5.5 In like set order; not as Midas did
D
5.5 To wash his Golde off into Tagus streame;
D
5.5 But to the Well of Knowledge, Helicon,
D
5.5 Where, purged of your present Maladies,
D
5.5 (Which are nor few, nor slender) you become
D
5.5 Such as you faine would seeme; and then returne
D
5.5 Offring your seruice to great Cynthia.
D
5.5 This is your Sentence; if the Goddesse please
D
5.5 To ratefie it with her high Consent:
D
5.5 The scope of wise Mirth vnto fruit is bent.
A
5.5 We do approoue thy Censure Criticus;
A
5.5 Which Mercury, thy true propitious friend,
A
5.5 (A Deity, next Ioue, belou'd of us,)
A
5.5 Will vndertake to see exactly done.
A
5.5 And for this seruice of Discouery
A
5.5 Perform'd by thee, in honor of our name,
A
5.5 We vow to guerdon it with such due grace,
A
5.5 As shall become our Bountie, and thy Place.
A
5.5 Princes that would their People should do well,
A
5.5 Must at themselves begin, as at the heads;
A
5.5 For men by their example patterne out.
A
5.5 Their Imitations, and reguard of Lawes:
A
5.5 A vertuous Court, a world to vertue drawes.
E
5.5 From Spanish shrugs, French faces, Smirks, Irps,
E
5.5 and all affected Humors.
X
5.5 Chorus. Good Mercury defend us.
N
5.5 From secret friends, sweet Seruants, Loues, Doues,
N
5.5 and such Phantastique Humors.
X
5.5 Chorus. Good Mercury defend us.
E
5.5 From stabbing of Armes, Flap-dragons, Healths,
E
5.5 Whiffes, and all such swaggering Humors.
X
5.5 Chorus. Good Mercury defend us.
N
5.5 From wauing of Fannes, coy Glaunces, Glicks,
N
5.5 Cringes, and all such simpring Humors.
X
5.5 Chorus. Good Mercury defend us.
E
5.5 From making loue by Attourney, courting of Puppets,
E
5.5 and paying for new acquaintance.
X
5.5 Chorus. Good Mercury defend us.
N
5.5 From perfum'd Dogs, Monkeys, Sparrowes, Dildos,
N
5.5 and Parachitos.
X
5.5 Chorus. Good Mercury defend us.
E
5.5 From wearing Bracelets of Hayre, Shoo-tyes, Gloues,
E
5.5 Garters, and Rings with Poesies.
X
5.5 Chorus. Good Mercury defend us.
N
5.5 From Pargetting, Painting, Slicking, Glazing,
N
5.5 and Renewing old riueld Faces.
X
5.5 Chorus. Good Mercury defend us.
E
5.5 From Squiring to Tilt-yards, Play-Houses, Pageants,
E
5.5 and all such Publique places.
X
5.5 Chorus. Good Mercury defend us.
N
5.5 From entertaining one Gallant to gull another,
N
5.5 and making Fooles of either.
X
5.5 Chorus. Good Mercury defend us.
E
5.5 From Belying Ladyes fauors, Noble-mens countenance,
E
5.5 coyning counterfet Imployments, vain-glorious taking
E
5.5 to them other mens Seruices, and all self-louing Humors.
X
5.5 Chorus. Good Mercury defend us.
U
5.5 Now each one dry his weeping Eyes,
U
5.5 and to the Well of Knowledge hast;
U
5.5 Where purged of your Maladies,
U
5.5 we may of sweeter waters taste:
U
5.5 And with refined voice report,
U
5.5 The Grace of Cynthia, and her Court.
U
5.5 Gentles, be it knowne to you, since I went in
U
5.5 I am turn'd Rimer; and do thus beginne:
U
5.5 The Author (iealous, how your sence doth take
U
5.5 His trauayles) hath enioyned me to make
U
5.5 Some short, and Ceremonious Epilogue;
U
5.5 But if I yet know what, I am a Rogue:
U
5.5 He ties me to such Lawes, as quite distract
U
5.5 My thoughts; and would a Yeare of time exact.
U
5.5 I neither must be Faint, Remisse, nor Sory,
U
5.5 Sower, Serious, Confident, nor Peremptory:
U
5.5 But betwixt these. Let us see? to lay the blame
U
5.5 upon the Childrens Actions, that were lame.
U
5.5 To craue your Fauours with a begging knee,
U
5.5 Were to distrust the Writers faculty;
U
5.5 To promise better at the next we bring,
U
5.5 Prorogues disgrace, commends not any*thing.
U
5.5 Stifly to stand on this, and proudly approoue
U
5.5 The Play, might taxe the Maker of Self-loue.
U
5.5 I will only speake, what I have heard him say;
U
5.5 By God it is good, and if you like it, you may.
The End.
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